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010      2009039109 
015    GBB009377|2bnb 
016 7  015473697|2Uk 
020    9780822346739|qpaperback|qalkaline paper 
020    9780822346616|qcloth|qalkaline paper 
020    0822346613|qcloth|qalkaline paper 
020    0822346737|qpaperback|qalkaline paper 
035    (OCoLC)ocn454364325 
035    499274 
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049    RIDM 
050 00 ML82|b.R65 2010 
082 00 786.7092/2|222 
090    ML82|b.R65 2010 
100 1  Rodgers, Tara,|d1973-|0https://id.loc.gov/authorities/
       names/no2009158081 
245 10 Pink noises :|bwomen on electronic music and sound /|cTara
       Rodgers. 
264  1 Durham [NC] :|bDuke University Press,|c2010. 
300    xi, 322 pages :|billustrations ;|c25 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Pauline Oliveros -- Kaffe Matthews -- Carla Scaletti -- 
       Eliane Radigue -- Maggi Payne -- Ikue Mori -- Beth Coleman
       (M. Singe) -- Maria Chavez -- Christina Kubisch -- Annea 
       Lockwood -- Chantal Passamonte (Mira Calix) -- Jessica 
       Rylan -- Susan Morabito -- Rekha Malhotra (DJ Rekha) -- 
       Giulia loli (DJ Mutamassik) -- Jeannie Hopper -- Antye 
       Greie (AGF) -- Pamela Z -- Laetitia Sonami -- Bevin Kelley
       (Blevin Blectum) -- Le Tigre -- Bev Stanton (Arthur Loves 
       Plastic) -- Keiko Uenishi (o.blaat) -- Riz Maslen 
       (Neotropic). 
520    Pink Noises brings together twenty-four interviews with 
       women in electronic music and sound cultures, including 
       club and radio DJs, remixers, composers, improvisers, 
       instrument builders, and installation and performance 
       artists. The collection is an extension of Pinknoises.com,
       the critically-acclaimed website founded by musician and 
       scholar Tara Rodgers in 2000 to promote women in 
       electronic music and make information about music 
       production more accessible to women and girls. That site 
       featured interviews that Rodgers conducted with women 
       artists, exploring their personal histories, their 
       creative methods, and the roles of gender in their work. 
       This book offers new and lengthier interviews, a critical 
       introduction, and resources for further research and 
       technological engagement"--From publisher description. 
650  0 Women musicians|0https://id.loc.gov/authorities/subjects/
       sh85147655|vInterviews.|0https://id.loc.gov/authorities/
       subjects/sh99001682 
650  0 Disc jockeys|0https://id.loc.gov/authorities/subjects/
       sh85038311|vInterviews.|0https://id.loc.gov/authorities/
       subjects/sh99001682 
650  0 Electronic music|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh2008102948 
650  7 Women musicians.|2fast|0https://id.worldcat.org/fast/
       1178182 
650  7 Disc jockeys.|2fast|0https://id.worldcat.org/fast/894814 
650  7 Electronic music.|2fast|0https://id.worldcat.org/fast/
       907363 
655  7 Interviews.|2fast|0https://id.worldcat.org/fast/1423832 
655  7 Interviews.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2014026115 
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