Cover Page; Title Page; Copyright; Dedication; Contents; Abstract; Acknowledgements; Introduction; Governing Visions of the Real; Chapter Outline; The Governmentality and Dispositive of Visions of the Real; Mapping Discourses on the National Film Unit; When and How Is Documentary Film?; Chapter 1: The Griersonian Programme for Documentary Film and Democratic Government; Introduction; Walter Lippmann and "Stereotyped Vision"; Techniques and Strategies of Documentary Film and Public Media; Civic Education Becomes Propaganda; Chapter 2: Propaganda; Introduction
From Attractive Views to Visions of the Real -- Early New Zealand State Film ProductionLabour and the Means of Public Discourse; "Show me the Face of a New Zealander" -- John Grierson in New Zealand; "Propagandists with Good Consciences" -- Stanhope Andrews and the Politics of Realism; Directing Democracy -- State Publicity and "the Positive Effort"; The Birth of the National Film Unit; Mobilizing the Population for War -- Wartime Film Production; Chapter 3: Civic Education; Introduction; The Reorganization of State Publicity and the NFU; Controversy on and behind the Screen -- The Holmes Case
The Economy of Vision I -- Educating the PopulationEnvisioning Workers -- The Politics of Dignity; Chapter 4: Public Relations; Introduction; National and the Political Economy of State Publicity and Film Production; The Economy of Vision II -- Promoting the Nation; Envisioning Ma-oritanga -- Visions of Ma-ori between "Adaption and Adjustment" and Tourism Commodification; Conclusions: Re-Forming Vision; Glossary of Māori Terms; Filmography; Bibliography; Back Cover
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