LEADER 00000cam a2200685 i 4500 
001    on1107804319 
003    OCoLC 
005    20220114043859.0 
006    m     o  d         
007    cr ||||||||||| 
008    190702s2019    inua    ob   s001 0 eng   
010      2019981218 
020    9780253043498|q(electronic book) 
020    0253043492|q(electronic book) 
020    9780253043504|q(electronic book) 
020    0253043506|q(electronic book) 
020    |z9780253043467|q(hardcover) 
020    |z9780253043474|q(paperback) 
035    (OCoLC)1107804319 
037    22573/ctvp87z32|bJSTOR 
040    DLC|beng|erda|epn|cDLC|dOCLCO|dJSTOR|dEBLCP|dN$T|dOCLCQ
       |dRECBK|dOCLCQ|dYDX|dOCLCQ|dMM9|dUKAHL|dOCLCQ|dP@U|dOCLCO 
042    pcc 
049    RIDW 
050 04 PN1995.9.D6|bZ55 2019 
072  7 PER|x004030|2bisacsh 
082 00 070.1/8|223 
090    PN1995.9.D6|bZ55 2019 
100 1  Zimmermann, Patricia Rodden,|0https://id.loc.gov/
       authorities/names/n86851917|eauthor. 
245 10 Documentary across platforms :|breverse engineering media,
       place, and politics /|cPatricia R. Zimmermann ; foreword 
       by Gina Marchetti. 
264  1 Bloomington, Indiana :|bIndiana University Press,|c[2019] 
300    1 online resource (xv, 268 pages) 
336    text|btxt|2rdacontent 
337    computer|bn|2rdamedia 
338    online resource|bnc|2rdacarrier 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  Part I. Platforms; 1. Reverse Engineering: Taking Things 
       Apart for the New Global Media Ecology; 2. Ardent Spaces, 
       Formidable Environments; 3. Precious Places: Scribe Video 
       Center, Philadelphia; 4. The Hand That Holds Up All This 
       Falling: The Works of Daniel Reeves; 5. Cartographies of 
       Impossible and Possible Worlds: The Photography of Michael
       Kienitz; 6. Black Soil: Chernozem and Tusit in Ukraine; 
       Part II. Reversals; 7. Matrices of War; 8. Blasting War; 
       9. Digital Deployments 
505 8  10. Public Domains: Engaging Iraq through Experimental 
       Digitalities11. Cambodian Digital Imaginary Archive: 
       Genocide, Lara Croft, and Crafts; Part III. Histories; 12.
       The Home Movie Archive Live; 13. Throbs and Pulsations: 
       Les LeVeque and the Digitizing of Desire; 14. Just Say No:
       Negativland's No Business; 15. Remixed and Revisited Black
       Cinema: Oscar Micheaux's Within Our Gates Live Project; 
       16. Live!: Reconnecting the Histories of Live Multimedia 
       Performance; 17. Toward a Theory of Participatory New 
       Media Documentary; Part IV. Speculative Engineering; 18. 
       Home Movie Axioms 
505 8  19. Speculations on Environmental Sensualities and Eco-
       Documentaries; 20. Speculations on Reverse Engineering: 
       Algorithms for Recombinant Documentaries across Platforms.
520    "In Documentary Across Platforms, noted scholar of film 
       and experimental media Patricia R. Zimmermann offers a 
       glimpse into the ever-evolving constellation of practices 
       known as "documentary" and the way in which they 
       investigate, engage with, and interrogate the world. 
       Collected here for the first time are her celebrated 
       essays and speculations about documentary, experimental, 
       and new media published outside of traditional scholarly 
       venues. These essays envision documentary as a complex 
       ecology composed of different technologies, sets of 
       practices, and specific relationships to communities, 
       engagement, politics, and social struggles. Through the 
       lens of reverse engineering--the concept that ideas just 
       like objects can be disassembled to learn how they work 
       and then rebuilt into something new and better--Zimmermann
       explores how numerous small-scale documentary works 
       present strategies of intervention into existing power 
       structures. Adaptive to their context, modular, and 
       unfixed, the documentary practices she explores exploit 
       both sophisticated high-end professional and consumer-
       grade amateur technologies, moving through different 
       political terrains, different platforms, and different 
       exhibition contexts. Together these essays demonstrate 
       documentary's role as a conceptual practice to think 
       through how the world is organized and to imagine ways 
       that it might be reorganized with actions, communities, 
       and ideas"--|cProvided by publisher. 
588 0  Online resource; title from digital title page (viewed on 
       February 13, 2020). 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Documentary films|0https://id.loc.gov/authorities/subjects
       /sh85088115|xPhilosophy.|0https://id.loc.gov/authorities/
       subjects/sh99005065 
650  0 Documentary mass media|0https://id.loc.gov/authorities/
       subjects/sh86001370|xPhilosphy. 
650  7 Documentary films|xPhilosophy.|2fast|0https://
       id.worldcat.org/fast/2061572 
650  7 Documentary films.|2fast|0https://id.worldcat.org/fast/
       896079 
650  7 Documentary mass media.|2fast|0https://id.worldcat.org/
       fast/896092 
650  7 PERFORMING ARTS|vFilm & Video|xHistory & Criticism.
       |2bisacsh 
650  7 Dokumentarfilm.|2gnd 
655  0 Electronic books. 
655  4 Electronic books. 
655  7 Aufsatzsammlung.|0(DE-588)4143413-4|2gnd 
776 08 |iPrint version:|aZimmermann, Patricia Rodden.
       |tDocumentary across platforms.|dBloomington : Indiana 
       University Press, 2019|z9780253043467|w(DLC)  2019020299 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2246698|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20220127|cEBSCO|tEBSCOebooksacademic NEW 6019|lridw 
994    92|bRID