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LEADER 00000cam a2200733Mi 4500 
001    ocn918623404 
003    OCoLC 
005    20190705070600.6 
006    m     o  d         
007    cr |n||||||||| 
008    150815s2015    gw      ob    001 0 eng d 
010      2015028599 
019    916529378|a1055353966|a1066419258|a1081216782|a1082334392 
020    9783110448078|q(electronic book) 
020    3110448076|q(electronic book) 
020    |z9783110448061 
020    |z3110448068 
020    |z311041306X 
020    |z9783110413069 
020    |z9783110447958|q(EPUB) 
020    3110447959 
020    9783110447958 
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049    RIDW 
050  4 TR780|b.T56 2015 
072  7 PHO|x000000|2bisacsh 
082 04 778.4|223 
090    TR780|b.T56 2015 
100 1  Timby, Kim.|0https://id.loc.gov/authorities/names/
       no2001015763 
245 10 3D and Animated Lenticular Photography :|bBetween Utopia 
       and Entertainment. 
264  1 Berlin/Boston :|bDe Gruyter,|c2015. 
300    1 online resource (306 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
490 1  Studies in Theory and History of Photography ;|vv. 5 
504    Includes bibliographical references and index. 
505 0  ACKNOWLEDGEMENTS; INTRODUCTION; Chapter 1: Stereoscopy 
       without a Stereoscope; Chapter 2: Cinema in a Single 
       Photo; Chapter 3: A Window onto the World; Chapter 4: 3D 
       Portraiture and the Integral-Image Utopia; Chapter 5: 
       Lights, Color, Action! Point-of-Sale Advertising; Chapter 
       6: A Lenticular Image in Every Home: Promotional Premiums;
       Chapter 7: The 3D Postcard; Chapter 8: The Limits of 
       Lenticular Photography; Conclusion; Notes; Index. 
520    Viewers have long been fascinated by photographs that 
       animate with a flick of the wrist or appear three-
       dimensional without the use of special devices. Both are 
       made possible by the lenticular process. Broadly weaving 
       this technology into scientific and popular culture, this 
       volume sheds new light on our relationship to photographic
       realism and on the forceful interplay in photography 
       between innovation and the desire to be entertained. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Three-dimensional imaging.|0https://id.loc.gov/authorities
       /subjects/sh2001000478 
650  0 Photography, Stereoscopic.|0https://id.loc.gov/authorities
       /subjects/sh85101299 
650  0 Image processing.|0https://id.loc.gov/authorities/subjects
       /sh85064446 
650  0 Pattern perception.|0https://id.loc.gov/authorities/
       subjects/sh85098789 
650  7 Three-dimensional imaging.|2fast|0https://id.worldcat.org/
       fast/1150331 
650  7 Photography, Stereoscopic.|2fast|0https://id.worldcat.org/
       fast/1062006 
650  7 Image processing.|2fast|0https://id.worldcat.org/fast/
       967501 
650  7 Pattern perception.|2fast|0https://id.worldcat.org/fast/
       1055254 
655  0 Electronic book. 
655  0 Electronic books. 
655  4 Electronic books. 
776 08 |iPrint version:|aTimby, Kim.|t3D and Animated Lenticular 
       Photography : Between Utopia and Entertainment.|dBerlin/
       Boston : De Gruyter, ©2015|z9783110413069 
830  0 Studies in theory and history of photography.|0https://
       id.loc.gov/authorities/names/no2012059012 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1048559|zOnline eBook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20190709|cEBSCO|tEBSCOebooksacademic NEW 7-5-19 5915
       |lridw 
994    92|bRID