| Description |
190 pages : illustrations ; 25 cm. |
| Series |
Anglo-Italian Renaissance studies series
|
|
Anglo-Italian Renaissance studies series.
|
| Bibliography |
Includes bibliographical references (171-184) and index. |
| Contents |
'All the world is of this humor': senescence and melancholy in Shakespeare's England and the case of King Lear -- Old age and the uses of comedy: Bibbiena's Calandra and Shakespeare's Merry Wives of Windsor -- Comedy and Florentine politics: the problem of generations -- Andrea Calmo, Renaissance Venice, and the challenge of the gerontocratic ideal -- 'Caso unico nel mondo delle Maschere' the comic mutations of the Pantalone mask in Flaminio Scala's Commedia dell' Arte scenarios -- Jonson's Alchemist and Dekker's Old Fortunatus: magic, mortality and the debasement of (the golden) age -- Old age and the Utopian project: The Tempest and The Old Law. |
| Summary |
"This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, Niccol ̣Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges."--Publisher's description. |
| Subject |
Aging in literature.
|
|
Aging in literature. |
|
Old age in literature.
|
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Old age in literature. |
|
English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism.
|
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English drama -- 17th century -- History and criticism.
|
|
English drama. |
| Chronological Term |
17th century |
| Subject |
English drama (Comedy) -- History and criticism.
|
|
English drama (Comedy) |
|
English drama -- Italian influences.
|
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English drama -- Italian influences. |
|
Italian drama (Comedy) -- History and criticism.
|
|
Italian drama (Comedy) |
|
Italian drama -- To 1700 -- History and criticism.
|
|
Italian drama. |
| Chronological Term |
To 1700 |
| Subject |
Aging -- Public opinion -- History -- 16th century.
|
|
Aging -- Public opinion. |
|
History. |
| Chronological Term |
16th century |
| Subject |
Aging. |
|
Aging -- Public opinion -- History -- 17th century.
|
| ISBN |
9780754665786 alkaline paper |
|
075466578X alkaline paper |
|
