| Description |
1 online resource (xv, 229 pages) |
|
text file |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual. |
| Summary |
From the invention of the phonograph in 1877 to some of the first recorded performances of modernist works in the 1930s, this book tells the neglected story of early spoken recordings and their significance for the experience and understanding of literature. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
English literature -- Audio adaptations -- History and criticism.
|
|
English literature. |
| Genre/Form |
Audio adaptations.
|
| Subject |
Literature and technology -- History.
|
|
Literature and technology. |
|
History. |
|
Sound recordings -- History.
|
|
Sound recordings. |
|
Oral interpretation -- History.
|
|
Oral interpretation. |
|
Phonograph -- History.
|
|
Phonograph. |
| Genre/Form |
Electronic books.
|
|
Criticism, interpretation, etc.
|
|
History.
|
| Other Form: |
Print version: Camlot, Jason, 1967- Phonopoetics. Stanford, California : Stanford University Press, 2019 9781503605213 (DLC) 2018042110 |
| ISBN |
9781503609716 (electronic book) |
|
1503609715 (electronic book) |
|
9781503605213 (hardcover ; alkaline paper) |
|
