Introduction -- Rogues, assassins, and buffoons : representations of the CIA in film and television -- Opening the doors : why and how the CIA works with Hollywood -- Necessary and competent : the CIA in the agency and in the company of spies -- The chase Brandon years -- The legal and ethical implications of the CIA in Hollywood -- The last people we want in Hollywood : the retired CIA officer and the Hollywood docudrama -- Argo's Tony Mendez : the first retiree the CIA wants in Hollywood -- Relaxing the rules : Zero Dark Thirty, Homeland, and the move toward Nuance -- Conclusion.
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