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090 HD9999.C9472 N44 2011
100 1 Moeran, Brian,|d1944-|0https://id.loc.gov/authorities/
names/n83015245
245 10 Negotiating Values in the Creative Industries :|bFairs,
Festivals and Competitive Events.
264 1 Cambridge :|bCambridge University Press,|c2011.
300 1 online resource (378 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|2rdaft
500 11 Configuring sustainability at fashion week.
504 References9 Tradition and transformation at the Fan Fair
festival; Data; The transformation of Fan Fair; City
values; The space of heritage; From label to chart:
festival booking; Brand alliances and the new country
consumer; Conclusion; Notes; References; Appendix 9.1:
selected interviews; 10 Between art and commerce: London
Fashion Week as trade fair and fashion spectacle;
Methodology; Fashion week as trade fair:; Boundaries and
access; Seeing and being seen:; Visibility and membership;
Performing (in) the field: fashion habitus and capital;
Conclusion; Notes; References.
505 0 Cover; Title; Copyright; Contents; List of figures; List
of tables; List of contributors; Acknowledgements;
Introduction; Creative industries; Fairs and festivals;
Values; Tournament fields; Configuring the volume; Notes;
References; 1 A Salon's life: field-configuring event,
power and contestation in a creative field; Power and
contestation over values in creative FCEs; Hierarchy and
conflict over values in creative fields; Empirical setting
and method; The Salon: 1737 to the 1840s; The second
period: the 1840s to 1881; Discussion and conclusion; 2
Art fairs: the market as medium; Note.
505 8 Reference3 Biennalization and its discontents;
Introduction; The biennale industry; The acculturation of
difference; Creativity and its discontents; Notes;
References; 4 Staging auctions: enabling exchange values
to be contested and established; Notes; References; 5 The
book fair as a tournament of values; The publishing
industry; Book fairs; Daily fair activities; Visibility;
Conclusion; Notes; References; 6 Inventing universal
television: restricted access, promotional extravagance,
and the distribution of value at global television
markets; Television programme markets.
505 8 How television travelsGlobal sales markets; Programme
markets as tournaments of values; Restricted access and
promotional extravagance as indicators of prestige;
Limited access and tournament networks; Universal
programming as distributor reputation; Gathering
intelligence at market; Conclusion; Notes; References; 7
Transforming film product identities: the status effects
of European premier film festivals, 1996-2005; Film
festivals and the film festival field2; Regulation,
accreditation and co-ordination of film festivals; Film
festivals as FCEs; The effects of identity configuration.
505 8 The studyResults; Discussion; Notes; References; 8 Event
institutionalization and maintenance: the Annecy animation
festival 1960-2010; Theoretical background:; Event
institutionalization and maintenance; Case study:
animation industry characteristics and the Annecy event1;
Early development and institutionalization:; Growth,
market creation and annualization:; Renewal, transaction
and brokerage:; Discussion: processes of event
institutionalization; Managing critical transitions;
Identity and symbolic-discursive maintenance; Field-level
position as a boundary organization; Conclusion; Notes.
520 A fascinating new perspective on the role and importance
of fairs, festivals and competitive events in the creative
industries.
588 0 Print version record.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
650 0 Creative ability|0https://id.loc.gov/authorities/subjects/
sh85033833|xEconomic aspects.|0https://id.loc.gov/
authorities/subjects/sh99005484
650 0 Cultural industries.|0https://id.loc.gov/authorities/
subjects/sh99004266
650 0 Fairs|0https://id.loc.gov/authorities/subjects/sh85046910
|xEconomic aspects.|0https://id.loc.gov/authorities/
subjects/sh99005484
650 0 Festivals|0https://id.loc.gov/authorities/subjects/
sh85047932|xEconomic aspects.|0https://id.loc.gov/
authorities/subjects/sh99005484
650 0 Value.|0https://id.loc.gov/authorities/subjects/sh85141930
650 7 Creative ability|xEconomic aspects.|2fast|0https://
id.worldcat.org/fast/1982461
650 7 Creative ability.|2fast|0https://id.worldcat.org/fast/
882417
650 7 Cultural industries.|2fast|0https://id.worldcat.org/fast/
885002
650 7 Fairs.|2fast|0https://id.worldcat.org/fast/919892
650 7 Festivals|xEconomic aspects.|2fast|0https://
id.worldcat.org/fast/923331
650 7 Festivals.|2fast|0https://id.worldcat.org/fast/923329
650 7 Value.|2fast|0https://id.worldcat.org/fast/1163873
655 4 Electronic books.
700 1 Pedersen, Jesper S.|q(Jesper Strandgaard),|d1959-|0https:/
/id.loc.gov/authorities/names/n88294441
776 08 |iPrint version:|aMoeran, Brian.|tNegotiating Values in
the Creative Industries : Fairs, Festivals and Competitive
Events.|dCambridge : Cambridge University Press, ©2011
|z9781107004504
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=400571|zOnline eBook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this eBook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20190507|cEBSCO|tEBSCOebooksacademic NEW 4-5-19 7552
|lridw
994 92|bRID
