Description |
x, 430 pages ; 24 cm |
Bibliography |
Includes bibliographical references and index. |
Contents |
Break 0: A glossary of key terms -- Memory machine myth : the memex, media archaeology, and repertoires of archiving -- Break 1: Canon and repertoire -- Archival styles : universal, community, and alternative digital preservation projects -- Break 2: Archive elves -- Queer and feminist archival cultures : the politics of preserving fan works -- Break 3: Fan time versus media time -- Repertoire fills the archive : race, sexuality, and social justice in fandom -- Break 4: "Works" or "performances" -- Print fans versus net fans : women's cultural memory at the threshold of new media -- Break 5: A femslash parable of the print-to-digital transition -- The default body and the composed body : performance through new media -- Break 6: Body and voice in fan production -- Archontic production : free culture and free software as versioning -- Break 7: Licensing and licentiousness -- Conclusion: Fan data--a digital humanities approach to internet archives -- Appendix: Oral history project, demographics, and ethical considerations. |
Subject |
Fan fiction -- Archival resources.
|
|
Fan fiction. |
|
Archival resources. |
|
Digital media -- Social aspects.
|
|
Digital media -- Social aspects. |
|
Collective memory.
|
|
Collective memory. |
|
Digital preservation.
|
|
Digital preservation. |
|
Fanfiction. |
ISBN |
0262034662 hardcover ; alkaline paper |
|
9780262034661 hardcover ; alkaline paper |
|