| Description |
1 online resource |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
"That filth from which the glamour is not even yet departed" : adapting Journey's end / Lawrence Napper -- Playful banter in Shaw's Pygmalion / Douglas McFarland -- Knowing your place : David Lean's film adaptation of Noël Coward's This happy breed / Neil Sinyard -- The Browning version revisited / Marcia Landy -- Screening for serious people a trivial comedy : Wilde's The importance of being earnest / Tom Ryall -- The British new wave begins : Richardson's Look back in anger / Steve Nicholson -- The shift from stage to screen : space, performance, and language in The knack ... and how to get it / Christine Geraghty -- See-thru desire and the dream of gay marriage : Orton's Entertaining Mr. Sloane on stage and screen / James Campbell -- Sleuth on screen : adapting masculinities / Monika Pietrzak-Franger -- Education Rita and the Pygmalion effect : gender, class, and adaptation anxiety / Cynthia Lucia -- The madness of Susan Traherne : adapting David Hare's Plenty / Tiffany Gilbert -- "A Tom Stoppard film" : agency and adaptation in Rosencrantz & Guildenstern are dead / Elizabeth Rivlin -- Rewriting history : Alan Bennett's collaboration with Nicholas Hytner on the adaptations of The madness of George III and The history boys / Joseph H. O'Mealy. |
| Summary |
This collection of essays offers the first comprehensive treatment of British and American films adapted from modern British plays. Offering insights into the mutually profitable relationship between the newest performance medium and the most ancient. With each chapter written by an expert in the field, Modern British Drama on Screen focuses on key playwrights of the period including George Bernard Shaw, Somerset Maugham, Terence Rattigan, Noel Coward and John Osborne and the most significant British drama of the past century from Pygmalion to The Madness of George III. Most chapters are devoted to single plays and the transformations they underwent in the move from stage to screen. Ideally suited for classroom use, this book offers a semester's worth of introductory material for the study of theater and film in modern Britain, widely acknowledged as a world center of dramatic productions for both the stage and screen. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Film adaptations -- History and criticism.
|
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Film adaptations. |
|
English drama -- Film adaptations.
|
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English drama. |
| Genre/Form |
Film adaptations.
|
| Subject |
American drama -- Film adaptations.
|
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American drama. |
|
Motion pictures and literature -- Great Britain.
|
|
Motion pictures and literature. |
|
Great Britain. |
|
Motion pictures and literature -- United States.
|
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United States. |
| Genre/Form |
Criticism, interpretation, etc.
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Electronic books.
|
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Film adaptations.
|
| Added Author |
Palmer, R. Barton, 1946- editor.
|
|
Bray, William Robert, 1951- editor.
|
| Other Form: |
Print version: Modern British drama on screen 9781107001015 (DLC) 2013021432 (OCoLC)846912207 |
| ISBN |
9781107597907 (electronic book) |
|
1107597900 (electronic book) |
|
9781107687547 (electronic book) |
|
1107687543 (electronic book) |
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9780511734311 (electronic book) |
|
051173431X (electronic book) |
|
9781107001015 |
|
1107001013 |
|
1306376106 |
|
9781306376105 |
|
