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050 4 PQ295.J36|bG46 2016
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090 PQ295.J36|bG46 2016
100 1 Genova, Pamela Antonia,|d1961-|0https://id.loc.gov/
authorities/names/n95011026|eauthor.
245 10 Writing Japonisme :|baesthetic translation in nineteenth-
century French prose /|cPamela A. Genova.
264 1 Evanston, Illinois :|bNorthwestern University Press,
|c2016.
300 1 online resource
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|2rdaft
505 0 Preface -- Introduction. Japonisme and the ambivalence of
theory -- Prelude. Aesthetic translation : modalities of
interdisciplinary and intercultural correspondence -- 1.
Edmond de Goncourt : portraits of artists -- 2. Joris-Karl
Huysmans : prose painting and the decadent novel -- 3.
Emile Zola : writing of and writing with art -- 4.
Stephane Mallarme : staging Japonisme -- Coda. Japonisme :
"a never-ending story"?
520 In her book, Pamela Genova suggests that as critics move
in general from a literal to a more metaphoric
understanding and presentation of Japonisme, the
mutability of the phenomenon is highlighted in a rich and
illuminating manner. By exploring the conditions of the
creation of these works, accenting the original aims of
the artists, the manipulations carried out by art dealers,
gallery owners, and boutique managers, as well as the
gestures of explanation, interpretation, and judgment
offered by the professional and amateur critics, Japonisme
takes on an even more versatile nature. Further, a complex
web of correspondence germinates among these artists--both
French and Japanese--and their many critics. It is in this
light that the truly rich character of Japonisme comes
forth, since the undesirability, even the impossibility of
the attempt to reduce it to a single genre, style, era, or
cultural cadre attests to its elusiveness and its Protean
nature. Japonisme does not correspond to a single
dictionary definition, no matter how subtle or self-aware
that definition might be. By situating the dynamics of
Japonisme as a response on the part of French culture to
the culture of Japan, we gain a keener sense of the
multiplicity of modern French sensibility itself, of how
the awareness of a nation's language, history, and art
forms can be creatively reflected in the images of a
culture seemingly radically different from its own.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
600 10 Mallarmé, Stéphane,|d1842-1898|0https://id.loc.gov/
authorities/names/n79045066|xCriticism and interpretation.
|0https://id.loc.gov/authorities/subjects/sh99005576
600 10 Zola, Émile,|d1840-1902|0https://id.loc.gov/authorities/
names/n79026785|xCriticism and interpretation.|0https://
id.loc.gov/authorities/subjects/sh99005576
600 10 Huysmans, J.-K.|q(Joris-Karl),|d1848-1907|0https://
id.loc.gov/authorities/names/n79065248|xCriticism and
interpretation.|0https://id.loc.gov/authorities/subjects/
sh99005576
600 10 Goncourt, Edmond de,|d1822-1896|0https://id.loc.gov/
authorities/names/n80008550|xCriticism and interpretation.
|0https://id.loc.gov/authorities/subjects/sh99005576
600 17 Mallarmé, Stéphane,|d1842-1898.|2fast|0https://
id.worldcat.org/fast/34378
600 17 Zola, Émile,|d1840-1902.|2fast|0https://id.worldcat.org/
fast/32376
600 17 Huysmans, J.-K.|q(Joris-Karl),|d1848-1907.|2fast|0https://
id.worldcat.org/fast/37504
600 17 Goncourt, Edmond de,|d1822-1896.|2fast|0https://
id.worldcat.org/fast/49105
600 17 Goncourt, Edmond de|d1822-1896.|2gnd
600 17 Huysmans, Joris-Karl|d1848-1907.|2gnd
600 17 Mallarmé, Stéphane|d1842-1898.|2gnd
600 17 Zola, Émile|d1840-1902.|2gnd
648 7 19th century|2fast
648 7 1800-1899|2fast
650 0 Art and literature|zFrance|xHistory|y19th century.|0https:
//id.loc.gov/authorities/subjects/sh2009115670
650 0 Japonism.|0https://id.loc.gov/authorities/subjects/
sh2009005016
650 0 French fiction|y19th century|0https://id.loc.gov/
authorities/subjects/sh85051807|xJapanese influences.
|0https://id.loc.gov/authorities/subjects/sh00005944
650 0 French fiction|y19th century|xHistory and criticism.
|0https://id.loc.gov/authorities/subjects/sh2008103562
650 7 Criticism and interpretation.|2fast|0https://
id.worldcat.org/fast/1198648
650 7 Art and literature.|2fast|0https://id.worldcat.org/fast/
815400
650 7 Japonism.|2fast|0https://id.worldcat.org/fast/1748189
650 7 French fiction.|2fast|0https://id.worldcat.org/fast/934302
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
650 7 LITERARY CRITICISM|xGeneral.|2bisacsh
651 7 France.|2fast|0https://id.worldcat.org/fast/1204289
651 7 Japan.|2gnd
655 0 Electronic books.
655 4 Electronic books.
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
655 7 History.|2fast|0https://id.worldcat.org/fast/1411628
776 08 |iPrint version:|aGenova, Pamela Antonia, 1961-|tWriting
Japonisme.|dEvanston, Illinois : Northwestern University
Press, 2016|z9780810132191|z0810132192|w(DLC) 2015035071
|w(OCoLC)908991433
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=1986391|zOnline ebook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this ebook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d202207013|cEBSCO|tEBSCOebooksacademic July NEW 6029
|lridw
994 92|bRID
