Description |
1 online resource (345 pages). |
Physical Medium |
polychrome |
Description |
text file |
Series |
Modernist Latitudes
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Modernist latitudes.
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Contents |
Seeing with the eyes of the work (Adorno): Césaire's Cahier and modernist print culture -- The empirical subject in question: a drama of voices in Aimé Césaire's et Les Chiens se taisaient -- Poetry and the typosphere in Léon-Gontran damas -- Léon-Gontran damas writing rhythm in the interwar period -- Red front / Black Front: Aimé Césaire and the Affaire Aragon -- To inhabit a wound: a turn to language in Martinique. |
Summary |
Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an 'aesthetic subjectivity.' |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
African diaspora in literature.
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African diaspora in literature. |
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French poetry -- Black authors -- History and criticism.
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French poetry -- Black authors. |
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French poetry -- Foreign countries -- History and criticism.
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French poetry. |
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Foreign countries. |
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Negritude (Literary movement)
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Negritude (Literary movement) |
Genre/Form |
Electronic books.
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Electronic books.
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Other Form: |
Print version: Noland, Carrie. Voices of Negritude in Modernist Print : Aesthetic Subjectivity, Diaspora, and the Lyric Regime. New York : Columbia University Press, ©2015 9780231167048 |
ISBN |
9780231538640 (electronic book) |
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0231538642 (electronic book) |
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1322777349 e-book |
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9781322777344 e-book |
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