| Description |
1 online resource (xi, 355 pages) : illustrations, music |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Gender and other dualities of music history -- Difference and power in music -- Loving it -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Sex in music.
|
|
Sex in music. |
|
Music -- Psychological aspects.
|
|
Music -- Psychological aspects. |
|
Musicology.
|
|
Musicology. |
|
Gender identity in music.
|
|
Gender identity in music. |
| Genre/Form |
Electronic books.
|
| Added Author |
Solie, Ruth A.
|
| Other Form: |
Print version: Musicology and difference. Berkeley : University of California Press, ©1993 0520201469 (DLC) 92016317 (OCoLC)25832286 |
| ISBN |
9780520916500 (electronic book) |
|
0520916506 (electronic book) |
|
0585320926 (electronic book) |
|
9780585320922 (electronic book) |
|
0520079272 (alkaline paper) |
|
9780520079274 (alkaline paper) |
|
0520201469 |
|
9780520201460 |
|
