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LEADER 00000cam a2200829Ia 4500 
001    ocn823771293 
003    OCoLC 
005    20190712070944.6 
006    m     o  d         
007    cr ||||||||||| 
008    121130t20122012enkac   ob    001 0 eng d 
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020    9781909254121|q(electronic book) 
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050  4 DA47.65|b.C767 2012 
072  7 HIS|x010010|2bisacsh 
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082 04 947.084 
090    DA47.65|b.C767 2012 
245 02 A people passing rude :|bBritish responses to Russian 
       culture /|cedited by Anthony Cross. 
264  1 Cambridge, United Kingdom :|bOpenBook Publishers,|c[2012] 
264  4 |c©2012 
300    1 online resource (330 pages) :|billustrations, portraits 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 00 |tBy Way of Introduction: British Reception, Perception 
       and Recognition of Russian Culture /|rAnthony Cross --
       |tByron, Don Juan and Russia /|rPeter Cochran --|tWilliam 
       Henry Leeds and Early British Responses to Russian 
       Literature /|rAnthony Cross --|tRussian Icons through 
       British Eyes, 1830-1930 /|rRichard Marks --|tCrystal 
       Palace Exhibition and Britain's Encounter with Russia /
       |rScott Ruby --|tAn 'Extraordinary Engagement': A Russian 
       Opera Company in Victorian Britain /|rTamsin Alexander --
       |tRussian Folk Tales for English Readers: Two 
       Personalities and Two Strategies in British Translation of
       the Late Nineteenth and Early Twentieth Centuries /
       |rTatiana Bogrdanova --|t'Wilful Melancholy' or 'A 
       Vigorous and Manly Optimism'?: Rosa Newmarch and the 
       Struggle against Decadence in the British Reception of 
       Russian Music, 1897-1917 /|rPhilip Ross Bullock --
       |t'Infantine Smudges of Paint ... Infantine Rudeness of 
       Soul': British Reception of Russian Art at the Exhibitions
       of the Allied Artists' Association, 1908-1911 /|rLouise 
       Hardiman --|tCrime and Publishing: How Dostoevskii Changed
       the British Murder /|rMuireann Maguire --|tStephen Graham 
       and Russian Spirituality: The Pilgrim in Search of 
       Salvation /|rMichael Hughes --|tJane Harrison as an 
       Interpreter of Russian Culture in the 1910s-1920s /
       |rAlexandra Smith --|tAleksei Remizov's English-language 
       Translators: New Material Marilyn /|rSchwinn Smith --
       |tChekhov and the Buried Life of Katherine Mansfield /
       |rRachel Polonsky --|t'A Gaul who has chosen impeccable 
       Russian as his medium': Ivan Bunin and the English Myth of
       Russia in the Early Twentieth Century /|rSvetlana Klimova 
       --|tRussia and Russian Culture in The Criterion, 1922-1939
       /|rOlga Ushakova --|t'Racy of the Soil': Filipp Maliavin's
       London Exhibition of 1935 /|rNicola Kozicharow --|tMrs 
       Churchill Goes to Russia: The Wartime Gift-Exchange 
       between Britain and the Soviet Union /|rClaire Knight --
       |tUnity in Difference: The Representation of Life in the 
       Soviet Union through Isotype /|rEmma Minns --|t'Sputniks 
       and Sideboards': Exhibiting the Soviet 'Way of Life' in 
       Cold War Britain, 1961-1979 /|rVerity Clarkson --|tBritish
       Reception of Russian Film, 1960-1990: The Role of Sight 
       and Sound /|rJulian Graffy. 
520    "The essays in this stimulating collection attest to the 
       scope and variety of Russia's influence on British 
       culture. They move from the early nineteenth century -- 
       when Byron sent his hero Don Juan to meet Catherine the 
       Great, and an English critic sought to come to terms with 
       the challenge of Pushkin -- to a series of Russian-themed 
       exhibitions at venues including the Crystal Palace and 
       Earls Court. The collection looks at British encounters 
       with Russian music, the absorption with Dostoevskii and 
       Chekhov, and finishes by shedding light on Britain's 
       engagement with Soviet film."--Back cover. 
588 0  Online resource, title from title page (OpenBook 
       Publishers version, viewed January 17, 2013). 
590    JSTOR|bBooks at JSTOR Open Access 
650  0 Art and literature|0https://id.loc.gov/authorities/
       subjects/sh85007962|zGreat Britain|0https://id.loc.gov/
       authorities/names/n79023147-781|xRussian influences.
       |0https://id.loc.gov/authorities/subjects/sh00007611 
650  7 Civilization.|2fast|0https://id.worldcat.org/fast/862898 
650  7 Art and literature.|2fast|0https://id.worldcat.org/fast/
       815400 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
651  0 Great Britain|xCivilization|0https://id.loc.gov/
       authorities/subjects/sh85056619|xRussian influences.
       |0https://id.loc.gov/authorities/subjects/sh00007611 
651  0 Russia|xCivilization.|0https://id.loc.gov/authorities/
       subjects/sh92004158 
651  0 Russia|xHistory|vSources.|0https://id.loc.gov/authorities/
       subjects/sh2008111110 
651  7 Great Britain.|2fast|0https://id.worldcat.org/fast/1204623
651  7 Russia.|2fast|0https://id.worldcat.org/fast/1207312 
655  4 Electronic books. 
655  7 Sources.|2fast|0https://id.worldcat.org/fast/1423900 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
700 1  Cross, Anthony|q(Anthony Glenn),|d1936-|0https://
       id.loc.gov/authorities/names/n79140997|eeditor. 
776 08 |iPrint version:|tPeople passing rude : British responses 
       to Russian culture.|dCambridge, England : Open Book 
       Publishers, ©2012|z9781909254107 
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctt5vjsk8|zOnline
       eBook. Open Access via JSTOR. 
901    MARCIVE 20231220 
948    |d20190820|cJSTOR|tJSTOROpenAccess NEW 7-12-19 47|lridw 
994    92|bRID