Guitar -- History -- 20th century. / https://id.loc.gov/authorities/subjects/sh85057803 https://id.loc.gov/authorities/subjects/sh2002006165
1985
1
Guitar -- History and criticism. / https://id.loc.gov/authorities/subjects/sh85057803 https://id.loc.gov/authorities/subjects/sh99001187 : Sharpe, A. P.
Guitar music -- 18th century -- History and criticism. / https://id.loc.gov/authorities/subjects/sh85057830 https://id.loc.gov/authorities/subjects/sh2002012474 https://id.loc.gov/authorities/subjects/sh99001187 : Tyler, James,
Guitar music -- 19th century -- History and criticism. / https://id.loc.gov/authorities/subjects/sh85057830 https://id.loc.gov/authorities/subjects/sh2002012475 https://id.loc.gov/authorities/subjects/sh99001187 : Summerfield, Maurice J.,
Here are entered compositions not in a specific form or of a specific type for three solo guitars.When three solo guitars are an accompanying ensemble, the term "guitar ensemble" is used for the medium of performance of the accompaniment. --headings for forms and types of music that include three solo guitars and headings with medium of performance that include three solo guitars
Here are entered compositions not in a specific form or of a specific type for solo Hawaiian guitar, and collections of compositions in several forms or types for solo Hawaiian guitar. --headings for forms and types of music that include "Hawaiian guitar" or "Hawaiian guitars" and headings with medium of performance that include "Hawaiian guitar" or "Hawaiian guitars"