| Description |
1 online resource (353 pages). |
|
text file |
| Series |
Cross/Cultures
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Cross/cultures.
|
| Contents |
Australian Fiction as Archival Salvage: Making and Unmaking the Postcolonial Novel -- Copyright -- Dedication -- Contents -- Acknowledgements -- A Note on Style -- Introduction: Making and Unmaking the Postcolonial Historical Novel -- 1 Genre Memory: Australian Historical Novels in Context -- Postcolonial Provocations: Old and New Approaches to Genre -- Intercultural Representation: Intergeneric Strategies in Eugene's Falls and Beyond -- 2 Intertextuality and the Postcolonial Novel of History. |
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Recent Explorations of Intertextuality and Heteroglossia: The Influence of Benang and That Deadman Dance -- Theories of Intertextuality and the Postcolonial Context -- Intertextuality and Intercultural Subjectivity: Australian Contexts -- 3 Elision and Engagement: Writing Indigeneity in Post-Bicentennial Historical Novels -- New Speech Genres: Portrayals of Indigeneity in White Writing 1989-2000 -- Out of the Impasse? Re-thinking Intercultural Engagement and Subject-Positions -- 4 Postmodern Rats in the Ranks: The Novelist and the Historian as Raiders of the Colonial Archive. |
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The Trouble with History: Scaling the Archive -- Ideology and Politics: A Background to the History Wars -- The Novelist in the Archive: Kate Grenville's The Secret River Trilogy and Kim Scott's Benang and That Deadman Dance -- White-Gloved Border Police: Archival Custody and the Protection of History -- Whose Treasure? Clendinnen's Reef and the Wreck of the Postcolonial Novel -- 5 Speaking in Tongues: The Novelist as Historiographic Fool -- Historiographic Metafiction as Postmodern, Postcolonial Intervention. |
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Metafictional Conceits in Peter Carey's True History of the Kelly Gang and Robert Drewe's Our Sunshine -- Metafictional Tactics in Eugene's Falls -- Focalization and Radical Polyphony in Recent Postcolonial Historical Novels -- Learning from Scott and Carey: Polyphony, Translation, and Mistranslation in the Postcolonial Novel -- 6 Writing South of South: Extinction Discourse in Novelizations of Tasmanian Colonial Pasts -- Roving History: Intercultural Representation in the Novels of Rohan Wilson -- Eden Unsettled: Parody and Post-Gothicism in Matthew Kneale's English Passengers. |
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Richard Flanagan's Gould's Book of Fish: History and Story in the Postmodern Acquarium -- Conclusion: Beyond the Dry Dock -- Appendix 1: Postcolonial/Post-Colonial Debates in Context -- Appendix 2: Lessons in 'The Lost Garden': A First-Contact Tasmanian Historical Novel in Progress -- Works Cited -- Index. |
| Bibliography |
Includes bibliographical references (pages 283-301) and index. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Historical fiction, Australian -- History and criticism.
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Historical fiction, Australian. |
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Australian fiction -- 20th century -- History and criticism.
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Australian fiction. |
| Chronological Term |
20th century |
| Subject |
Australian fiction -- 21st century -- History and criticism.
|
| Chronological Term |
21st century |
| Subject |
Literature and history -- Australia.
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Literature and history. |
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Australia. |
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Postcolonialism in literature.
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Postcolonialism in literature. |
| Chronological Term |
1900-2099 |
| Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
|
| Other Form: |
Print version: Johnson, Frances A. Australian Fiction as Archival Salvage : Making and Unmaking the Postcolonial Novel. Leiden : BRILL, ©2015 9789004309975 |
| ISBN |
900431167X |
|
9004309977 |
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9789004309975 |
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9789004311671 (electronic book) |
| Standard No. |
9789004309975 |
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