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003    OCoLC 
005    20211008041809.0 
006    m     o  d         
007    cr cnu---unuuu 
008    140111s2014    enka    o     000 0 eng d 
015    GBB798814|2bnb 
016 7  017960509|2Uk 
019    870097643|a895756301 
020    9781441129994|q(electronic book) 
020    1441129995|q(electronic book) 
020    |z9781441194084|q(hardback) 
020    |z1441194088|q(hardback) 
020    |z9781441167262|q(paperback) 
020    |z1441167269|q(paperback) 
020    9781441148162 
020    1441148167 
035    (OCoLC)867928962|z(OCoLC)870097643|z(OCoLC)895756301 
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040    EBLCP|beng|erda|epn|cEBLCP|dOCLCO|dN$T|dCUS|dOCLCF|dYDXCP
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041 1  eng|hger 
049    RIDW 
050  4 N7430.5 .S367 2014 
072  7 PSY|x031000|2bisacsh 
082 04 302.2301 
084    SOC052000|2bisacsh 
090    N7430.5 .S367 2014 
100 1  Schröter, Jens,|d1970-|0https://id.loc.gov/authorities/
       names/no2009173083|eauthor. 
240 10 ED.|lEnglish 
245 10 3D :|bhistory, theory and aesthetics of the transplane 
       image /|cJens Schröter ; translated by Brigitte Pichon and
       Dorian Rudnytsky ; revised by Jens Schröter. 
246 3  History, theory, and aesthetics of the transplane image 
246 3  Three D 
264  1 London :|bBloomsbury Publishing,|c2014. 
300    1 online resource (501 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  International texts in critical media aesthetics ;|vv. 6 
504    Includes bibliographical references and index. 
505 0  Cover page; Halftitle page; Series page; Title page; 
       Copyright page; Dedication page; CONTENTS; 
       ACKNOWLEDGMENTS; PART ONE Theoretical and Methodological 
       Considerations; CHAPTER ONE Outline; 1.1 Jonathan Crary's 
       Techniques of the Observer; 1.1.1 Contours of Techniques 
       of the Observer; 1.1.1.1 Introducing the rhetorics of 
       ruptures; 1.1.1.2 Rupture around 1820: Embodying vision; 
       1.1.1.3 The observer as effect: Crary's references to 
       Foucault; 1.1.1.4 From geometrical to physiological 
       optics; 1.1.1.5 The problematic status of photography; 
       1.1.2 The self-dissolution of Crary's approach. 
505 8  1.2 Outlining an alternative1.2.1 Layering replacing 
       succession; 1.2.2 Discontinuity and continuity: Which 
       Foucault?; 1.2.3 The four optical series; 1.3 Some short 
       remarks on optics and optical media; 1.4 Transplane images
       and the production of space (Henri Lefebvre): 3D; 1.4.1 
       First series: Geometrical optics-plane; 1.4.2 Second, 
       third and fourth series: 3D; 1.5 Spatial knowledge and 
       media aesthetics of transplane images; 1.6 Summary and 
       0utline; Notes; PART TWO Case Studies; CHAPTER TWO 1851: 
       Sir David Brewster and the stereoscopic reproduction of 
       sculptures; Notes. 
505 8  CHAPTER THREE Since 1860: Photo sculptureSince 1860: 
       Willème's photo sculpture; Media aesthetics of photo 
       sculpture; Notes; CHAPTER FOUR 1891: Lippmann photography;
       Notes; CHAPTER FIVE Since 1908: Integral photography/
       lenticular images; Notes; CHAPTER SIX 1935-1945: 'People 
       without space'-people with spatial images; Notes; CHAPTER 
       SEVEN 1918-1935: Marcel Duchamp: From projection to 
       rotorelief; Notes; CHAPTER EIGHT Since 1948: The 
       volumetric display; Notes; CHAPTER NINE Since 1948: 
       Holography; 9.1 Principles, genesis and theory of 
       holography; 9.2 The spatial knowledge of holo-
       interferometry. 
505 8  9.3 Wave optics and the 'simulation' of geometrical optics
       : Holographic- optical elements, optical vs. visual 
       media9.4 Media aesthetics of the transplane image 8-
       artistic holography: Illusionism, light and achrony; 9.5 
       Conclusion; Notes; CHAPTER TEN Since 1960: Repetition and 
       difference: The interactive-transplane image; Notes; PART 
       THREE Conclusions; CHAPTER ELEVEN 2013: Resume; 11.1 First
       conclusion: Layering and not succession in media history; 
       11.2 Second conclusion: The importance of the seemingly 
       marginal transplane images for the production of space. 
505 8  11.3 Third conclusion: the diff erence of optical and 
       visual media. Anthropomorphic vs. non-anthropomorphic 
       media models11.4 Fourth conclusion: Critique of the 
       planocentric notion of the image; Notes; BIBLIOGRAPHY; 
       TABLE OF IMAGE RIGHTS; INDEX; Plate 1; Plate 2; Plate 3; 
       Plate 4; Plate 5. 
520    There is a blind spot in recent accounts of the history, 
       theory and aesthetics of optical media: namely, the field 
       of the three-dimensional, or trans-plane, image. It has 
       been widely used in the 20th century for very different 
       practices - military, scientific and medical visualization
       - precisely because it can provide more spatial 
       information. And now in the 21st century, television and 
       film are employing the method even more. Appearing for the
       first time in English, Jens Schroeter's comprehensive 
       study of the aesthetics of the 3D image is a major 
       scholarly addition to this evolving field. Ci. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Photography|0https://id.loc.gov/authorities/subjects/
       sh85101206|xPsychological aspects.|0https://id.loc.gov/
       authorities/subjects/sh2002011485 
650  0 Three-dimensional imaging|0https://id.loc.gov/authorities/
       subjects/sh2001000478|xHistory.|0https://id.loc.gov/
       authorities/subjects/sh99005024 
650  0 Imagery (Psychology)|0https://id.loc.gov/authorities/
       subjects/sh85064451 
650  0 Aesthetics.|0https://id.loc.gov/authorities/subjects/
       sh85001441 
650  7 Photography|xPsychological aspects.|2fast|0https://
       id.worldcat.org/fast/1061815 
650  7 Photography.|2fast|0https://id.worldcat.org/fast/1061714 
650  7 Three-dimensional imaging.|2fast|0https://id.worldcat.org/
       fast/1150331 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 History of art / art & design styles.|2bicssc 
650  7 Imagery (Psychology)|2fast|0https://id.worldcat.org/fast/
       967541 
650  7 Media studies.|2bicssc 
650  7 Aesthetics.|2fast|0https://id.worldcat.org/fast/798702 
650  7 PSYCHOLOGY|xSocial Psychology.|2bisacsh 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
700 1  Pichon, Brigitte|c(Translator),|etranslator. 
700 1  Rudnytsky, Dorian,|0https://id.loc.gov/authorities/names/
       no2020004954|etranslator. 
776 08 |iPrint version:|aSchroeter, Jens.|s3D. English.|t3D.|dNew
       York : Bloomsbury, 2014|z9781441194084|w(DLC)  2013034736
       |w(OCoLC)857141355 
830  0 International texts in critical media aesthetics ;|0https:
       //id.loc.gov/authorities/names/no2012041716|vv. 6. 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=689804|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
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