Description |
1 online resource (xii, 187 pages, 8 unnumbered pages of plates) : illustrations. |
Physical Medium |
monochrome |
Description |
text file |
Series |
Toronto Italian studies
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Goggio publication series
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Toronto Italian studies.
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Toronto Italian studies. Goggio publication series.
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Note |
DVD-video in pocket of p. [3] of cover. |
Bibliography |
Includes bibliographical references (pages 169-173) and indexes. |
Access |
Use copy Restrictions unspecified MiAaHDL |
Reproduction |
Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL |
System Details |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
Processing Action |
digitized 2010 HathiTrust Digital Library committed to preserve MiAaHDL |
Contents |
Machine generated contents note: pt. I Weak memory : from the end of the Second World War to the end of the Cold War, with a foray into the 1990s -- 1. Ghost stories : an introduction -- 2. diaphonous body of films -- pt. II Recovered memory : contemporary Italian Holocaust films in depth -- 3. haunting strains of Holocaust memory : Ricky Rognazzi's Canone inverso (Making love) -- 4. childhood paradise lost : Andrea and Antonio Frazzi's Il cielo cade (The sky is falling) -- 5. alter-biography of the other-in-our-midst : Ettore Scola's Concorrenza sleale (Unfair competition) -- 6. Holocaust rescue narrative and the end of ideology : Alberto Negrin's Perlasca : Un eroe italiano (Perlasca : the courage of a just man) -- 7. present through the eyes of the past : Ferzan Ozpetek's La finestra di fronte (Facing windows) -- Postscript -- a glimpse at 2004 : Il servo ungherese (The Hungarian servant) and La fuga degli innocenti (The flight of the innocents). |
Summary |
"In addition to Roberto Benigni's internationally acclaimed Life is Beautiful (1997), there have appeared a number of other Italian films that deal with the Holocaust, many of which have not been available to foreign audiences. Millicent Marcus's Italian Film in the Shadow of Auschwitz looks at this development, attributing the new acceptance not only to international influences, but also to a domestic audience that is increasingly willing to face its collective demons and a cultural industry ready to produce its own forms of historic testimony. Throughout the book, Marcus brings a variety of critical perspectives to bear on the question of how Italian filmmakers are now confronting the Holocaust, especially in light of the sparse output of Holocaust films produced in Italy from 1945 to the early 1990s. What emerges is a look at how film is being used to address a profoundly disturbing chapter in the history of humankind."--Jacket. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Holocaust, Jewish (1939-1945), in motion pictures.
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Holocaust, Jewish (1939-1945) in motion pictures. |
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Jews in motion pictures.
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Jews in motion pictures. |
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Motion pictures -- Italy.
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Motion pictures. |
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Italy. |
Genre/Form |
Electronic books.
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Electronic books.
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Note |
Title of accompanying videorecording: '43-'97 |
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Title on videodisc: Ettore Scola's '43-'97 |
Other Form: |
Print version: Marcus, Millicent Joy. Italian film in the shadow of Auschwitz. Toronto ; Buffalo : University of Toronto Press, ©2007 (DLC) 2007299908 (OCoLC)166687761 |
ISBN |
9781442684478 (electronic book) |
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144268447X (electronic book) |
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9780802091888 (cloth) |
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0802091881 (cloth) |
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9780802091895 (paperback) |
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080209189X (paperback) |
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