| Description |
1 online resource (228 pages) |
| Physical Medium |
polychrome |
| Description |
text file |
| Summary |
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert a. |
| Bibliography |
Includes bibliographical references (pages 162-191) and index. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Indigenous art -- Australia.
|
|
Indigenous art. |
|
Australia. |
| Other Form: |
Print version: Geissler, Marie. Making of Indigenous Australian Contemporary Art. Newcastle-upon-Tyne : Cambridge Scholars Publisher, ©2020 9781527555464 |
| ISBN |
1527564274 |
|
9781527564275 (electronic book) |
|
1527555461 |
|
9781527555464 |
|
