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019 935248754
020 9783658116057|q(electronic book)
020 3658116056|q(electronic book)
020 3658116048
020 9783658116040
020 |z9783658116040
024 7 10.1007/978-3-658-11604-0|2doi
035 (OCoLC)925521849|z(OCoLC)935248754
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050 4 NA1526|b.L85 2016eb
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090 NA1526|b.L85 2016eb
100 1 Lukito, Yulia Nurliani,|0https://id.loc.gov/authorities/
names/no2016039495|eauthor.
245 10 Exhibiting modernity and Indonesian vernacular
architecture :|bhybrid architecture at Pasar Gambir of
Batavia, the 1931 Paris International Colonial Exhibition
and Taman Mini Indonesia Indah /|cYulia Nurliani Lukito.
264 1 Fachmedien ;|aWiesbaden :|bSpringer VS,|c[2016]
264 4 |c©2016
300 1 online resource (xv, 192 pages) :|billustrations.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
490 1 Research
504 Includes bibliographical reference (pages 180-192).
505 0 Abstract; Acknowledgement; Table of Contents; List of
Figures; 1. Introduction; 1.1. Research Questions; 1.2.
Purposes of the Dissertation; 1.3. Method of the Thesis
Work; 1.4. Relations to Some Theories and Previous Works;
1.5. Overview of Chapters; 2. Pasar Gambir of Batavia:
Hybrid Architecture and Space of Encounter for the Indies
People; 2.1. Pasar Gambir as the Liveliest Colonial
Exhibition in Batavia; 2.1.1. Pasar Gambir in the King's
Square; 2.1.2. A Blend of a Pasar and a Fair: the
Beginning of Negotiation at Pasar Gambir; 2.1.3. The
Organizer of Pasar Gambir.
505 8 2.2. The Hybrid Architecture of Pasar Gambir2.2.1. The
Plan of Pasar Gambir; 2.2.2. The Gate to Pasar Gambir;
2.2.3. The Pavilion of Pasar Gambir: the Power of Hybrid
Architecture; 2.2.4. Pasar Gambir Fair as an Open
Experimental Platform of Hybrid Architecture; 2.2.5.
Hybridity in the Making of Pasar Gambir; 2.3. Pasar Gambir
and the Experience of Modernity; 2.3.1. Urban Modernity in
Batavia; 2.3.2. Electric Lighting and Advertisements as
Signs of Modernity in Pasar Gambir; 2.4. Space of
Encounter in Pasar Gambir; 2.5. The Reception of Pasar
Gambir's Visitors.
505 8 2.6. Pasar Gambir in Indonesian and Sino-Malay
Literature2.7. Pasar Gambir and the Gaze: Celebrating
Colonial Modernity and Defining the 'Self'; 3. The Dutch
Pavilion at the 1931 International Colonial Exhibition in
Paris: Contrasting Authenticity and Modernity; 3.1. The
Last International Colonial Exhibition and the Narrative
of Progress; 3.2. The Layout of the Exhibition and the
National Pavilions; 3.3. The Architecture of the Dutch
Pavilion and the Role of the Dutch as a 'Mediator'; 3.3.1.
The Architects of the Dutch Pavilion.
505 8 3.3.2. The Burden of Representation: Hybrid Architecture
of the Dutch Pavilion3.3.3. Constructing the Culture of
the Colony; 3.4. The Story of the Gates at the Dutch
Pavilion ; 3.5. The Ethnographic Showcase at the Dutch
Pavilion; 3.6. Architecture in the Colony: From Mute and
Autistic Architecture to a New Synthesis; 3.6.1. The
Javanese Pendopo at The Work of Two Dutch Architects;
3.6.2. Beyond the Balinese Gates and the Javanese Pendopo;
3.7. Visitors at the 1931 Paris International Colonial
Exhibition.
505 8 4. Taman Mini Indonesia Indah: the Rebirth of Indonesian
Vernacular Architecture after Independence4.1.
Architecture and Spatial Politics of the Young Nation;
4.2. Beautiful Indonesia in Miniature Park: the Return to
Local Culture; 4.3. The Site of Taman Mini; 4.4.
Interpreting the Site of Taman Mini: From Mandala
Structure to Nation Building; 4.5. Some Precedents for
Open-Air Ethnographic Park; 4.6. The Gate to Taman Mini;
4.7. The Architecture of Taman Mini's Pavilions; 4.8. The
Scale of Taman Mini: Amplifying the Cultural Construction;
4.9. The Reception of Taman Mini's Visitors.
520 In her research Yulia Nurliani Lukito analyses modernity
and the construction of culture by the authorities using
the images of Indonesian vernacular architecture presented
at three different sites and times. She argues that
modernity is not solely constructed by the authorities,
rather it is an ongoing process modified by visitors of
exhibitions. Pasar Gambir was a laboratory of modernity
for the colony, and an important stage in modernizing and
negotiating cultural and social conditions in the colony.
The Dutch Pavilion at the 1931 colonial exhibition became
a moment when the Indies heritages played a role in
marking colonial territory. Modern ethnographic park of
Taman Mini gives a way to the making of an official
'authentic' culture and suppresses the previous Dutch
construction of the Indies culture. Contents · Pasar
Gambir of Batavia: Hybrid Architecture and Space of
Encounter for the Indies People · The Dutch Pavilion at
the 1931 International Colonial Exhibition in Paris:
Contrasting Authenticity and Modernity · Taman Mini
Indonesia Indah: the Rebirth of Indonesian Vernacular
Architecture after Independence Target Groups · Lecturers
and students of the social sciences especially in history
and theory of architecture · Readers who are interested
in cultural studies, architecture, history, and modernity
The Author Yulia Nurliani Lukito received her doctorate
degree in Theory of Architecture from RWTH Aachen. Her
research interests are theory and history of architecture,
modernity, and Indonesian vernacular architecture.
588 0 Online resource; title from PDF title page (EBSCO, viewed
October 23, 2015).
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
648 7 20th century|2fast
648 7 1900-1999|2fast
650 0 Vernacular architecture|0https://id.loc.gov/authorities/
subjects/sh85142845|zIndonesia.|0https://id.loc.gov/
authorities/names/n80083633-781
650 0 Architecture and society|0https://id.loc.gov/authorities/
subjects/sh85006894|zIndonesia.|0https://id.loc.gov/
authorities/names/n80083633-781
650 7 Vernacular architecture.|2fast|0https://id.worldcat.org/
fast/1165401
650 7 Architecture and society.|2fast|0https://id.worldcat.org/
fast/813574
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
650 7 ARCHITECTURE|xAdaptive Reuse & Renovation.|2bisacsh
650 7 ARCHITECTURE|xBuildings|xLandmarks & Monuments.|2bisacsh
650 7 ARCHITECTURE|xProfessional Practice.|2bisacsh
650 7 ARCHITECTURE|xReference.|2bisacsh
651 0 Indonesia|xHistory|y20th century.|0https://id.loc.gov/
authorities/subjects/sh85065747
651 7 Indonesia.|2fast|0https://id.worldcat.org/fast/1209242
655 0 Electronic books.
655 4 Electronic books.
655 7 History.|2fast|0https://id.worldcat.org/fast/1411628
776 08 |iPrinted edition:|z9783658116040
830 0 Research (Wiesbaden, Germany)|0https://id.loc.gov/
authorities/names/no2015040744
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
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restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this ebook|uhttp://guides.rider.edu/ebooks/ebsco
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