| Description |
1 online resource (1 video file (2 hr., 26 min., 2 sec.)) : sound, color |
| Playing Time |
022602 |
| Description |
digital |
|
video file |
| Physical Medium |
polychrome |
| Performer |
Vesselina Kasarova (Marguerite) ; Paul Groves (Faust) ; Willard White (Méphistophélès) ; Andreas Macco (Brander) ; Staatskapelle Berlin ; Orfeón Donostiarra de San Sebastian ; Tölzer Knabenchor ; Sylvain Cambreling, conductor. |
| Event |
Recorded 1999 August 25 Salzburger Festspiele, Salzburg, Austria. |
| Summary |
A triumph for The Damnation of Faust at the Salzburg Festival (at Gerard Mortier's times), staged by the Catalan duet La Fura dels Baus. Faust is a victim of the "malady of his century", the feeling characterized by melancholy and dissatisfaction which marked artistic creation in the beginning of the 19th century and set the basis of the Romantic Movement. His knowledge is a burden which does not allow him to dream and he is tormented by his impiety (Alfred de Musset also expressed this feeling in the magnificent Rolla). Méphistophélès, the devil personified as a human being, comes to him with an offer: should Faust follow him and forget about his erudition, he will have access to pleasure, happiness and everything he desires. With the help of magic and fiendish creatures, the devil present the young Marguerite to Faust and both celebrate their love in a duet "Love has taken my ravished soul." But to avoid disgrace and Marguerite's mother's fury, they have to part. In the wake of their union, Méphistophélès tells Faust that Marguerite is in prison for having poisoned her mother with a sleeping beverage. Méphistolphélès promises that he will free her if Faust agrees to serve him. As soon as Faust sells his soul to the devil, he is thrust in Hell. The last notes of Berlioz's work describe the apocalypse where blood flows, skeletons dance and the lakes are set on fire, where as Marguerite, the naive soul which love lead astray, is welcomed in Heaven. While excerpts of the score are popular today, like the Hungarian March in the first part or Marguerite's romanza "D'amour l'ardente flamme" in the fourth part, the complete "légende dramatique," as the composer called it, is rarely performed. But you must remind of this opera for its unity, its dramaturgy, its libretto (written by Gérard de Nerval) and its long lyrical flights of poetry. Alex Ollé and Carlos Padrissa (La Fura dels Baus) well understood it, when they staged this blazing and infernal version of Berlioz's score. The musical direction by Sylvain Cambreling, but also the performance by Vesselina Kasarova (Marguerite), Paul Groves (Faust), Williard White (Méphistophélès) and Andreas Macco (Brander), joined by the Staatskapelle Berlin Orchestra, the Chorus Orfeón Donostiarra from San Sebastián and the Tölzer Knabenchor made this production at the Salzburg Festival a reference version of Berlioz's score. |
| Language |
Sung in French. |
| Subject |
Operas.
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Operas. |
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Faust, -approximately 1540 -- Drama.
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Faust, -approximately 1540. |
| Genre/Form |
Drama.
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| Subject |
Mephistopheles (Legendary character) -- Drama.
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Mephistopheles (Legendary character) |
| Genre/Form |
Internet videos.
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Internet videos.
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Video recordings.
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Video recordings.
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Drama.
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| Added Author |
Tarta, Alexandre, film director.
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Kasarova, Vesselina, singer.
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Groves, Paul (Tenor), singer.
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White, Willard, singer.
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Macco, Andreas, singer.
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Cambreling, Sylvain, conductor.
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Container of (work): Berlioz, Hector, 1803-1869.
Damnation de Faust.
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Bel Air Media (Firm), production company.
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Sept/Arte (Firm), production company.
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Société nationale de programme France-Régions, production company.
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Fura dels Baus (Theater company), stage director.
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Salzburger Festspiele (1999 : Salzburg, Austria)
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| Added Title |
Damnation of Faust at the Salzburg Festival |
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