LEADER 00000cam a2200517 a 4500 
001    ocn772100990 
003    OCoLC 
005    20171108085415.0 
008    120427s2012    mau           000 0 eng   
010      2012017321 
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020    9780547571607 
020    0547571607 
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       |z(OCoLC)985243187|z(OCoLC)988982070|z(OCoLC)993296112
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       |z(OCoLC)1009096417 
040    DLC|beng|cDLC|dYDX|dBTCTA|dBDX|dYDXCP|dNPL|dBWX|dCZA|dYBM
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       |dQE2|dBYV|dRID 
042    pcc 
049    RIDM 
050 00 PS3570.R433|bT47 2012 
082 00 811/.54|223 
084    POE005010|2bisacsh 
090    PS3570.R433|bT47 2012 
100 1  Trethewey, Natasha D.,|d1966-|0https://id.loc.gov/
       authorities/names/no00088459 
245 10 Thrall :|bpoems /|cNatasha Trethewey. 
264  1 Boston :|bHoughton Mifflin Harcourt,|c2012. 
300    84 pages ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
505 00 |tMiracle of the black leg --|tOn captivity --|tTaxonomy. 
       De Español y de India produce mestiso ;|tDe Español y 
       Negra produce mulato ;|tDe Español y mestiza produce 
       castiza ;|tBook of castas --|tKitchen maid with Supper at 
       Emmaus, or, The mulata --|tKnowledge --|tAmericans. Dr. 
       Samuel Adolphus Cartwright on dissecting the white Negro, 
       1851 ;|tBlood ;|tHelp, 1968 --|tMano Prieta --|tDe Español
       y negra; mulata --|tMythology. Nostos ;|tQuestions posed 
       by the dream ;|tSiren --|tGeography --|tTorna atrás --
       |tBird in the house --|tArtifact --|tFouled --|tRotation -
       -|tThrall --|tCalling --|tEnlightenment --|tHow the past 
       comes back --|tOn happiness --|tVespertina cognitio --
       |tIllumination. 
520    By unflinchingly charting the intersections of public and 
       personal history, Thrall explores the historical, cultural,
       and social forces-across time and space-that determine the
       roles consigned to a mixed-race daughter and her white 
       father. In a vivid series of poems about interracial 
       marriage depicted in the Casta Paintings of Colonial 
       Mexico, Trethewey investigates the philosophical 
       assumptions that underpin Enlightenment notions of 
       taxonomy and classification, exposing the way they encode 
       ideas of race within our collective imagination. While 
       tropes about captivity, bondage, inheritance, and 
       enthrallment permeate the collection, Trethewey, by 
       reflecting on a series of small estrangements from her 
       poet father, comes to an understanding of how, as father 
       and daughter, they are part of the ongoing history of race
       in America. 
650  0 Race in art|0https://id.loc.gov/authorities/subjects/
       sh2006007938|vPoetry.|0https://id.loc.gov/authorities/
       subjects/sh99001678 
650  0 Interracial marriage|0https://id.loc.gov/authorities/
       subjects/sh85067499|vPoetry.|0https://id.loc.gov/
       authorities/subjects/sh99001678 
650  0 Fathers and daughters|vPoetry.|0https://id.loc.gov/
       authorities/subjects/sh2008120300 
650  7 Race in art.|2fast|0https://id.worldcat.org/fast/1904405 
650  7 Interracial marriage.|2fast|0https://id.worldcat.org/fast/
       977484 
650  7 Fathers and daughters.|2fast|0https://id.worldcat.org/fast
       /921890 
655  0 American poetry|xWomen authors|y21st century. 
655  7 Poetry.|2fast|0https://id.worldcat.org/fast/1423828 
655  7 Poetry.|2lcgft|0https://id.loc.gov/authorities/genreForms/
       gf2014026481 
710 2  Poets Laureate Collection (Library of Congress)|0https://
       id.loc.gov/authorities/names/n2013039843|5DLC 
901    MARCIVE 20231220 
948    |d20180926|clti|tlti-aex 
994    C0|bRID