LEADER 00000cam a2200709Ki 4500 001 ocm00004312 003 OCoLC 005 20200417035533.7 006 m o d 007 cr cnu---unuuu 008 170818s2017 cau ob 001 0 eng d 020 9780520960060|q(electronic book) 020 0520960068|q(electronic book) 020 |z9780520284432 020 |z0520284437 035 (OCoLC)1001334312 037 22573/ctt1tdx6mn|bJSTOR 040 N$T|beng|erda|epn|cN$T|dJSTOR|dEBLCP|dYDX|dCSAIL|dOCL |dOCLCA|dKSU|dUEJ|dRRP|dINT|dOCLCQ|dU3W|dOCLCQ|dDEGRU |dOCLCQ 043 e-it--- 049 RIDW 050 4 ML1733.3|b.L63 2017eb 072 7 MUS|x042000|2bisacsh 072 7 MUS|x052000|2bisacsh 072 7 MUS|x037110|2bisacsh 072 7 MUS020000|2bisacsh 082 04 782.10945/09033|223 090 ML1733.3|b.L63 2017eb 100 1 Lockhart, Ellen,|0https://id.loc.gov/authorities/names/ no2011114028|eauthor. 245 10 Animation, plasticity, and music in Italy, 1770-1830 / |cEllen Lockhart. 264 1 Oakland, California :|bUniversity of California Press, |c[2017] 264 4 |c©2017 300 1 online resource 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 340 |gpolychrome|2rdacc 347 text file|2rdaft 504 Includes bibliographical references and index. 505 0 Introduction -- Dancing statues -- Pimmalione -- Defining Italy in haunted Rome -- Partial animacy and blind listening in Napoleonic Italy -- Giuditta pasta and the history of musical electrification -- Conclusion. 520 "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, plasticity, and music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism."--Provided by publisher. 588 0 Print version record. 590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic Collection - North America 648 7 18th century|2fast 648 7 19th century|2fast 648 7 1700-1899|2fast 650 0 Dramatic music|0https://id.loc.gov/authorities/subjects/ sh87002062|zItaly|0https://id.loc.gov/authorities/names/ n79021783-781|y18th century.|0https://id.loc.gov/ authorities/subjects/sh2002012474 650 0 Dramatic music|0https://id.loc.gov/authorities/subjects/ sh87002062|zItaly|0https://id.loc.gov/authorities/names/ n79021783-781|y19th century.|0https://id.loc.gov/ authorities/subjects/sh2002012475 650 0 Operas|xLiterary themes, motives.|0https://id.loc.gov/ authorities/subjects/sh85094956 650 0 Enlightenment|zItaly|0https://id.loc.gov/authorities/ subjects/sh2008119710|xInfluence.|0https://id.loc.gov/ authorities/subjects/sh2002005444 650 7 Dramatic music.|2fast|0https://id.worldcat.org/fast/897546 650 7 Operas|xLiterary themes, motives.|2fast|0https:// id.worldcat.org/fast/1046220 650 7 Enlightenment.|2fast|0https://id.worldcat.org/fast/912527 651 7 Italy.|2fast|0https://id.worldcat.org/fast/1204565 655 4 Electronic books. 776 08 |iPrint version:|aLockhart, Ellen.|tAnimation, plasticity, and music in Italy, 1770-1830.|dOakland, California : University of California Press, [2017]|z9780520284432 |w(DLC) 2017017413|w(OCoLC)961308298 856 40 |uhttps://rider.idm.oclc.org/login?url=http:// search.ebscohost.com/login.aspx?direct=true&scope=site& db=nlebk&AN=1575570|zOnline eBook via EBSCO. Access restricted to current Rider University students, faculty, and staff. 856 42 |3Instructions for reading/downloading the EBSCO version of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 901 MARCIVE 20231220 948 |d20200422|cEBSCO|tebscoebooksacademic 3-13-4-17 3106 |lridw 994 92|bRID