Includes bibliographical references (pages 403-417) and index.
Contents
Introduction: Analyzing political music under self-censorship -- The nuclear past and present : structures of power and civil resistance -- Musicians in the antinuclear movement : motivations, roles, and risks -- Cyberspace : playback and participation -- Demonstrations -- Festivals : differing models of communication -- Recordings : allegories, metaphors, and metonyms -- Conclusion: Protesting under (and against) constraints.