| Edition |
First edition. |
| Description |
xxviii, 395 pages : illustrations ; 24 cm |
| Bibliography |
Includes bibliographical references (pages 365-366) and index. |
| Summary |
"From one of our leading film historians and interpreters: a brilliantly researched, irresistibly witty, delightfully illustrated examination of "the marriage movie": what it is (or isn't) and what it has to tell us about the movies--and ourselves. As long as there have been feature movies there have been marriage movies, and yet Hollywood has always been cautious about how to label them--perhaps because unlike any other genre of film, the marriage movie resonates directly with the experience of almost every adult coming to see it. Here is "happily ever after"--except when things aren't happy, and when "ever after" is abruptly terminated by divorce, tragedy. or even murder. With her large-hearted understanding of how movies--and audiences--work, Basinger traces the many ways Hollywood has tussled with this tricky subject, explicating the relationships of countless marriages from Blondie and Dagwood to the heartrending couple in the Iranian A Separation, from Coach and his wife in Friday Night Lights to Tracy and Hepburn to Laurel and Hardy (a marriage if ever there was one). A treasure trove of insight and sympathy, illustrated with scores of wonderfully telling movies stills, posters, and ads"-- Provided by publisher. |
| Provenance |
Gift of Paul and Mary Haas. |
| Subject |
Marriage in motion pictures.
|
|
Marriage in motion pictures. |
|
Marriage in popular culture -- United States.
|
|
Marriage in popular culture. |
|
United States. |
| ISBN |
9780307269164 (hardback) |
|
0307269167 (hardback) |
|
