Includes bibliographical references (pages 207-226) and index.
Contents
Discourse channels: Listening as a cultural-historical category in the Austro-German Frühromantik -- The horror of the real: Adolf Bernhard Marx's Beethoven at the first Gründerzeit -- Rage against the rabble: Gender nostalgia and the metropolitan imagination in Heinrich Schenker's Kontrapunkt (1910 and 1922) -- Song of the body: Mahler, Kafka and the male jewish body at the Habsburg fin de siècle.