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LEADER 00000cam a2200769 i 4500 
001    on1176276397 
003    OCoLC 
005    20210702123418.7 
006    m     o  d         
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008    200721s2020    maua    ob    001 0 eng d 
019    1238318008 
020    9781613767665|q(electronic book) 
020    1613767668|q(electronic book) 
020    |z9781625345165 
020    |z162534516X 
020    |z9781625345172 
020    |z1625345178 
035    (OCoLC)1176276397|z(OCoLC)1238318008 
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049    RIDW 
050  4 GT3650.5.S6|bT44 2020eb 
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072  7 HIS|x037000|2bisacsh 
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090    GT3650.5.S6|bT44 2020eb 
100 1  Thelwell, Chinua,|0https://id.loc.gov/authorities/names/
       n2016030165|eauthor. 
245 10 Exporting Jim Crow :|bBlackface minstrelsy in South Africa
       and beyond /|cChinua Thelwell. 
264  1 Amherst :|bUniversity of Massachusetts Press,|c[2020] 
300    1 online resource (xii, 283 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
500    Based on the author's thesis (doctoral)--New York 
       University, 2011. 
504    Includes bibliographical references and index. 
505 0  Introduction. Burnt Cork Nationalism and the Five Waves of
       Minstrel Globalization -- Foundations: Blackface 
       Minstrelsy in the United States and Across the British 
       Empire, 1830-1862 -- An Empire of Burnt Cork: Blackface 
       Minstrelsy in Pre-Industrial South Africa, 1862-1872 -- 
       Diamonds, Dandies, and Dispossession: Minstrel Shows 
       During the South African Mineral Revolution, 1872-1889 -- 
       "Slipping the Yoke": McAdoo's Jubilee Singers, McAdoo's 
       Minstrels, and Racial Uplift Politics, 1890-1898 -- Brown-
       on-Black Masquerade: Cape Town's Coon Carnival -- 
       Afterword. Global Blackface: Toward Transnational 
       Minstrelsy Studies 
520    "Following the pathways of imperial commerce, blackface 
       minstrel troupes began to cross the globe in the mid-
       nineteenth century, popularizing American racial 
       ideologies as they traveled from Britain to its colonies 
       in the Pacific, Asia, and Oceania, finally landing in 
       South Africa during the 1860s and 1870s. The first popular
       culture export of the United States, minstrel shows 
       frequently portrayed black characters as noncitizens who 
       were unfit for democratic participation and contributed to
       the construction of a global color line. Chinua Thelwell 
       brings blackface minstrelsy and performance culture into 
       the discussion of apartheid's nineteenth-century origins 
       and afterlife, employing a broad archive of South African 
       newspapers and magazines, memoirs, minstrel songs and 
       sketches, diaries, and interview transcripts. Exporting 
       Jim Crow highlights blackface minstrelsy's cultural and 
       social impact as it became a dominant form of 
       entertainment, moving from its initial appearances on 
       music hall stages to its troubling twentieth-century 
       resurgence on movie screens and at public events. This 
       carefully researched and highly original study 
       demonstrates that the performance of race in South Africa 
       was inherently political, contributing to racism and 
       shoring up white racial identity"--|cProvided by publisher
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Minstrel shows|0https://id.loc.gov/authorities/subjects/
       sh85085877|zSouth Africa.|0https://id.loc.gov/authorities/
       names/n79023005-781 
650  0 Blackface entertainers|0https://id.loc.gov/authorities/
       subjects/sh86002417|zSouth Africa.|0https://id.loc.gov/
       authorities/names/n79023005-781 
650  0 White people|xRace identity|0https://id.loc.gov/
       authorities/subjects/sh98006796|zSouth Africa.|0https://
       id.loc.gov/authorities/names/n79023005-781 
650  0 Black people|xRace identity|zSouth Africa.|0https://
       id.loc.gov/authorities/subjects/sh2009117261 
650  7 Minstrel shows.|2fast|0https://id.worldcat.org/fast/
       1023491 
650  7 Blackface entertainers.|2fast|0https://id.worldcat.org/
       fast/833860 
650  7 White people|xRace identity.|2fast|0https://
       id.worldcat.org/fast/1174825 
650  7 Black people|xRace identity.|2fast|0https://
       id.worldcat.org/fast/833987 
650  7 Race relations.|2fast|0https://id.worldcat.org/fast/
       1086509 
650  7 Manners and customs.|2fast|0https://id.worldcat.org/fast/
       1007815 
651  0 South Africa|xRace relations.|0https://id.loc.gov/
       authorities/subjects/sh85125494 
651  0 South Africa|xSocial life and customs.|0https://id.loc.gov
       /authorities/subjects/sh2010114240 
651  7 South Africa.|2fast|0https://id.worldcat.org/fast/1204616 
655  4 Electronic books. 
776 08 |iPrint version:|aThelwell, Chinua.|tExporting Jim Crow.
       |dAmherst : University of Massachusetts Press, [2020]
       |z9781625345165|w(DLC)  2019044412|w(OCoLC)1122689191 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2526936|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20210708|cEBSCO|tEBSCOebooksacademic NEW 5016 |lridw 
994    92|bRID