| Description |
xvi, 329 pages : illustrations, music ; 25 cm. |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Liberal critics and modern music in the post-Victorian age / Matthew Riley -- 'A thoroughgoing modern' : Elgar reception in the Manchester Guardian, 1896-1908 / Meirion Hughes -- Schoenberg, Roger Fry and the emergence of a critical language for the reception of musical modernism in Britain, 1912-1914 / Deborah Heckert -- Modernism, Diaghilev and the Ballets Russes in London, 1911-1929 / Gareth Thomas -- Modern maritime pastoral : wave deformations in the music of Frank Bridge / Stephen Downes -- 'A direct and intimate realization' : Holst and formalism in the 1920s / Christopher M. Scheer -- Façades for Façade : William Walton, visual culture and English modernism in the Sitwell circle / Tim Barringer -- Landscape and distance : Vaughan Williams, modernism and the symphonic pastoral / Daniel M. Grimley -- Vaughan Williams's antic symphony / J.P.E. Harper-Scott -- Hindemith's disciple in London : Walter Leigh on modern music, 1932-40 / Thomas Irvine -- Benjamin Britten's 'Pierrot' ensembles / Christopher Dromey -- Music for the machines of the future : H.G. Wells, Arthur Bliss and Things to come (1936) / Matthew Riley -- Early music and the ambivalent origins of Elisabeth Lutyens's modernism / Laurel Parsons -- 'The real thing, at last?' : historicizing Humphrey Searle / Ben Earle. |
| Subject |
Music -- Great Britain -- 20th century -- History and criticism.
|
|
Music -- Great Britain -- 19th century -- History and criticism.
|
|
Modernism (Music)
|
| Added Author |
Riley, Matthew, 1975-
|
| ISBN |
9780754665854 (hardcover : alk. paper) |
|
0754665852 (hardcover : alk. paper) |
|
