LEADER 00000cam a2200457 a 4500
001 ocn651153803
005 20120113120817.0
008 100728t20112011nyua b 001 0 eng
010 2010032133
020 9780195383454|qalkaline paper
020 0195383451|qalkaline paper
035 (OCoLC)ocn651153803
035 (OCoLC)651153803
035 529546
040 DLC|beng|cDLC|dYDX|dYDXCP|dWCH
043 n-us---
049 WCHA
090 ML2075|b.F67 2011
100 1 Franklin, Peter.|0https://id.loc.gov/authorities/names/
n82112690
245 10 Seeing through music :|bgender and modernism in classic
Hollywood film scores /|cPeter Franklin.
264 1 New York :|bOxford University Press,|c[2011]
264 4 |c©2011
300 191 pages :|billustrations ;|c25 cm.
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
490 1 The Oxford music/media series
504 Includes bibliographical references and index.
505 0 Introduction: Approaches, problems, and the great divide -
- -- pt. I. Music into film : critical cross-fades. --
Men's musicology/women's films : meanings of late
Romanticism -- Exploitation and seduction : converging
responses to popular opera and film -- Into the
mists...subjective realms (and the undoing of men?) :
film's critique of music -- -- pt. II. Watching symphonies
: cautionary tales. -- Symphonic narratives (and
promiscuous pleasure) : film music and changing
perceptions of the symphony in the nineteenth century --
Return of the undone woman : Hollywood's music and the
critical history of late Romanticism -- Modernism and "the
image of the man" : Hollywood interprets musical
modernism.
650 0 Motion picture music|zUnited States|xHistory and
criticism.|0https://id.loc.gov/authorities/subjects/
sh2010102483
650 0 Modernism (Music)|0https://id.loc.gov/authorities/subjects
/sh2004014988
650 7 Motion picture music.|2fast|0https://id.worldcat.org/fast/
1027201
650 7 Modernism (Music)|2fast|0https://id.worldcat.org/fast/
1736351
651 7 United States.|2fast|0https://id.worldcat.org/fast/1204155
830 0 Oxford music/media series.|0https://id.loc.gov/authorities
/names/no2009184448
901 MARCIVE 20231220
935 529546
994 C0|bWCH
