LEADER 00000cam a2200589 a 4500 
001    ocn316825701 
005    20110628132951.0 
008    090811s2009    nyua     b    001 0 eng   
010      2009032996 
015    GBA9A3635|2bnb 
016 7  015401712|2Uk 
020    9781845456054|qhardback|qalkaline paper 
020    184545605X|qhardback|qalkaline paper 
035    (OCoLC)ocn316825701 
035    512563 
040    DLC|beng|cDLC|dBTCTA|dYDXCP|dC#P|dBWX|dUKM|dCDX|dGEBAY 
043    e-gx--- 
049    RIDM 
050 00 PN1993.5.G3|bB275 2009 
082 00 791.430943/09044|222 
090    PN1993.5.G3 B275 2009 
100 1  Baer, Hester.|0https://id.loc.gov/authorities/names/
       n00025336 
245 10 Dismantling the dream factory :|bgender, German cinema, 
       and the postwar quest for a new film language /|cHester 
       Baer. 
264  1 New York :|bBerghahn Books,|c2009. 
300    xiii, 304 pages :|billustrations ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Film Europa ;|vv. 9 
500    "Berghahn on film"--Cover. 
504    Includes bibliographical references and index. 
505 0  Relegitimating cinema: female spectators and the problem 
       of representation -- How do you solve a problem like 
       Susanne?: the female gaze in Wolfgang Staudte's The 
       murderers are among us (1946) -- When fantasy meets 
       reality: authorship and stardom in Rudolf Jugert's Film 
       without a title (1948) -- Gendered visions of the German 
       past: Wolfgang Liebeneiner's Love '47 (1949) as woman's 
       film -- Unsolved mysteries: race, ethnicity, and gender in
       Helmut Kätner's Epilogue (1950) -- Art on film: 
       representing gender and sexuality in popular cinema -- 
       "Through her eyes": regendering representation in Willi 
       Forst's The sinner (1951) -- Looking at Heimat: visual 
       pleasure and cinematic realism in Alfons Stummer's The 
       forester of the silver wood (1955) -- Degenerate art?: 
       problems of gender and sexuality in Veit Harlan's 
       Different from you and me (175) (1957) -- Towards the new 
       wave: gender and the critique of popular cinema -- 
       Pleasurable negotiations: spectatorship and genre in 
       Helmut Kätner's "anti-tearjerker" Engagement in Zurich 
       (1957) -- Sound and spectacle in the Wirtschaftswunder: 
       the critical strategies of Rolf Thiele's The girl 
       Rosemarie (1958) -- Gender and the new wave: Herbert 
       Vesely's The bread of those early years (1962) as 
       transitional film -- Epilogue: adapting the 1950s: the 
       afterlife of postwar cinema in post-unification popular 
       culture. 
648  7 20th century|2fast 
650  0 Motion pictures|zGermany|xHistory|y20th century.|0https://
       id.loc.gov/authorities/subjects/sh2010102562 
650  0 Motion pictures|xSocial aspects|0https://id.loc.gov/
       authorities/subjects/sh85088108|zGermany.|0https://
       id.loc.gov/authorities/names/n80125931-781 
650  0 Motion pictures for women|0https://id.loc.gov/authorities/
       subjects/sh86005227|zGermany.|0https://id.loc.gov/
       authorities/names/n80125931-781 
650  0 Motion picture audiences|0https://id.loc.gov/authorities/
       subjects/sh85088029|zGermany.|0https://id.loc.gov/
       authorities/names/n80125931-781 
650  0 Women in motion pictures.|0https://id.loc.gov/authorities/
       subjects/sh85147593 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Motion pictures|xSocial aspects.|2fast|0https://
       id.worldcat.org/fast/1027384 
650  7 Motion pictures for women.|2fast|0https://id.worldcat.org/
       fast/1027432 
650  7 Motion picture audiences.|2fast|0https://id.worldcat.org/
       fast/1027116 
650  7 Women in motion pictures.|2fast|0https://id.worldcat.org/
       fast/1177931 
651  7 Germany.|2fast|0https://id.worldcat.org/fast/1210272 
830  0 Film Europa ;|0https://id.loc.gov/authorities/names/
       no2005046361|vv. 9. 
901    MARCIVE 20231220 
935    512563 
994    C0|bRID