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008    160907s2009    nyua    ob    001 0 eng d 
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020    9781845459451 
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049    RIDW 
050  4 PN1993.5.G3 
072  7 ART|x057000|2bisacsh 
072  7 PER|x004040|2bisacsh 
072  7 PER004030|2bisacsh 
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082 04 791.430943/09044|222 
090    PN1993.5.G3 
100 1  Baer, Hester. 
245 10 Dismantling the dream factory :|bgender, German cinema, 
       and the postwar quest for a new film language /|cHester 
       Baer. 
246 30 Gender, German cinema, and the postwar quest for a new 
       film language 
264  1 New York :|bBerghahn Books,|c2009. 
300    1 online resource (xiii, 304 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
490 1  Film Europa : German cinema in an international context ;
       |vv. 9 
504    Includes bibliographical references (pages 283-289) and 
       index. 
505 0  Relegitimating cinema: female spectators and the problem 
       of representation -- How do you solve a problem like 
       Susanne?: the female gaze in Wolfgang Staudte's The 
       murderers are among us (1946) -- When fantasy meets 
       reality: authorship and stardom in Rudolf Jugert's Film 
       without a title (1948) -- Gendered visions of the German 
       past: Wolfgang Liebeneiner's Love '47 (1949) as woman's 
       film -- Unsolved mysteries: race, ethnicity, and gender in
       Helmut Kätner's Epilogue (1950) -- Art on film: 
       representing gender and sexuality in popular cinema -- 
       "Through her eyes": regendering representation in Willi 
       Forst's The sinner (1951) -- Looking at Heimat: visual 
       pleasure and cinematic realism in Alfons Stummer's The 
       forester of the silver wood (1955) -- Degenerate art?: 
       problems of gender and sexuality in Veit Harlan's 
       Different from you and me (175) (1957) -- Towards the new 
       wave: gender and the critique of popular cinema -- 
       Pleasurable negotiations: spectatorship and genre in 
       Helmut Kätner's "anti-tearjerker" Engagement in Zurich 
       (1957) -- Sound and spectacle in the Wirtschaftswunder: 
       the critical strategies of Rolf Thiele's The girl 
       Rosemarie (1958) -- Gender and the new wave: Herbert 
       Vesely's The bread of those early years (1962) as 
       transitional film -- Epilogue: adapting the 1950s: the 
       afterlife of postwar cinema in post-unification popular 
       culture. 
520    The history of postwar German cinema has most often been 
       told as a story of failure, a failure paradoxically 
       epitomized by the remarkable popularity of film throughout
       the late 1940s and 1950s. Through the analysis of 10 
       representative films, Hester Baer reassesses this period, 
       looking in particular at how the attempt to "dismantle the
       dream factory" of Nazi entertainment cinema resulted in a 
       new cinematic language which developed as a result of the 
       changing audience demographic. In an era when female 
       viewers comprised 70 percent of cinema audiences a 
       "women's cinema" emerged, which sought to. 
588 0  Print version. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 1900-1999|2fast 
650  0 Motion pictures|zGermany|xHistory|y20th century. 
650  0 Motion pictures|xSocial aspects|zGermany|xHistory|y20th 
       century. 
650  0 Motion pictures for women|zGermany|xHistory|y20th century.
650  0 Motion picture audiences|zGermany|xHistory|y20th century. 
650  0 Women in motion pictures|xHistory|y20th century. 
650  7 ART|xFilm & Video.|2bisacsh 
650  7 PERFORMING ARTS|xFilm & Video|xReference.|2bisacsh 
650  7 PERFORMING ARTS|xFilm & Video|xHistory & Criticism.
       |2bisacsh 
650  7 Motion picture audiences|2fast 
650  7 Motion pictures|2fast 
650  7 Motion pictures for women|2fast 
650  7 Motion pictures|xSocial aspects|2fast 
650  7 Women in motion pictures|2fast 
650  7 Film history, theory & criticism.|2thema 
650  7 Gender studies, gender groups.|2thema 
650  7 Germany.|2thema 
650  7 Performing Arts.|2ukslc 
651  7 Germany|2fast|1https://id.oclc.org/worldcat/entity/
       E39PBJtCD3rcKcPDx6FHmjvrbd 
655  7 History|2fast 
776 08 |iPrint version:|aBaer, Hester.|tDismantling the dream 
       factory.|dNew York : Berghahn Books, 2009|z9781845456054
       |w(DLC)  2009032996 
830  0 Film Europa ;|vv. 9. 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=416326|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
948    |d20240319|cEBSCO|tEBSCOebooksacademic NEW 1-26-24 6521
       |lridw 
994    92|bRID