| Description |
1 online resource (ix, 417 pages) |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references (pages 403-404) and index. |
| Contents |
Being an editor / Sheldon Kahn -- Becoming an editor / Emily Paine -- Distilling the documentary / Tom Haneke -- Film as all the arts / Carol Littleton -- Flashback, flashforward / Harold F. Kress and Carl Kress -- The essential film / Geof Bartz -- Telling stories / Tom Rolf -- Sparking life, shaping people / Paul Barnes -- Touching the heart / Anne V. Coates -- Maximizing the moment / Bill Pankow -- "Percussive" editing / Paul Hirsch -- Keeping the beat / Donn Cambern -- Seeing the invisible / Evan Lottman -- Remaining versatile / Peter C. Frank -- "Good stuff" never changes / John D. Dunning -- Subliminal truths / Ted Winterburn -- The inner voice / Sidney Levin -- Drawing the emotional line / Merle Worth -- The supreme collaboration / Barry Malkin -- Diplomatic takes / Rudi Fehr -- Creating a legacy / Richard Marks -- "Locking" up / Alan Heim. |
| Summary |
Offers an opportunity to learn what film editing really is, featuring interviews with twenty-three award-winning film editors who give a full picture of the complex art and craft of editing a film. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Motion pictures -- Editing.
|
|
Motion pictures -- Editing. |
|
Motion picture editors.
|
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Motion picture editors. |
| Genre/Form |
Electronic books.
|
| Other Form: |
Print version: Oldham, Gabriella. First cut. Berkeley : University of California Press, ©1992 0520075889 (DLC) 91047713 (OCoLC)25131319 |
| ISBN |
9780520911741 (electronic book) |
|
0520911741 (electronic book) |
|
0585299773 (electronic book) |
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9780585299778 (electronic book) |
|
0520075862 (alkaline paper) |
|
9780520075863 (alkaline paper) |
|
0520075889 (paperback) |
|
9780520075887 (paperback) |
|
