| Description |
xix, 157 pages ; 24 cm. |
| Series |
Research in analytical psychology and Jungian studies series
|
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Research in analytical psychology and Jungian studies series.
|
| Bibliography |
Includes bibliographical references (pages 137-147), filmography (pages 149-150) and index. |
| Contents |
Part I : the psychological image : imaging and imagination : a Jungian perspective. Jung, image, archetype and complex ; Jung, opposites and psychic energy ; Jung's psychological types ; Jung, sign and symbol ; Image, imagery, imagination : a perspective of placement ; The autonomous ways of images : dreams and synaesthesia ; Conclusion : the nonvisual image -- Part II : music as image : the encounter of visual and nonvisual in film. Music as image : an emotive introduction ; Music as image : its placement in film ; Music as image : its realities and functions ; Psychological dimensions of the film-music functions ; Film music : type, style, original and nonoriginal music ; Film, music, archetype ; When image turns hero ; Conclusion : the music-image : inside and outside film -- Part III : close encounters of the musical kind : an analysis of the music-image in three films. Taxi driver ; Nuit et brouillard = Night and fog -- Eyes wide shut. |
| Language |
English text. |
| Subject |
Motion picture music -- Analysis, appreciation.
|
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Motion picture music -- Analysis, appreciation. |
|
Motion picture music. |
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Motion picture music -- Psychological aspects.
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Psychological aspects. |
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Psychoanalysis and motion pictures.
|
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Psychoanalysis and motion pictures. |
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Psychoanalysis and music.
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Psychoanalysis and music. |
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Motion picture music -- History and criticism.
|
| ISBN |
9781138853256 (hardback) |
|
1138853259 (hardback) |
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9781315722900 (ebook) |
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1315722909 (ebook) |
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