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003 OCoLC
005 20160527040747.6
006 m o d
007 cr cnu---unuuu
008 110224s2011 enk ob 001 0 eng d
019 699475266|a774505116
020 9781441182579|q(electronic book)
020 1441182578|q(electronic book)
020 1441136975
020 9781441136978
020 9781441178879|q(paperback)
020 1441178872|q(paperback)
020 9781441101501|q(eBook ePub)
020 1441101500|q(eBook ePub)
020 |z1441182578
020 |z9781441136978
035 (OCoLC)703610374|z(OCoLC)699475266|z(OCoLC)774505116
040 N$T|beng|epn|cN$T|dE7B|dOCLCQ|dCOO|dDKDLA|dYDXCP|dOCLCQ
|dOCLCO|dOCLCQ|dNLGGC|dEBLCP|dOCLCQ
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049 RIDW
050 4 PN1993.5.I88|b.P53 2011eb
072 7 PER|x004040|2bisacsh
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090 PN1993.5.I88|b.P53 2011eb
100 1 Piazza, Roberta.|0https://id.loc.gov/authorities/names/
n96075471
245 14 The discourse of italian cinema and beyond :|blet cinema
speak /|cRoberta Piazza.
264 1 London :|bContinuum International Pub. Group,|c[2011]
264 4 |c©2011
300 1 online resource (261 pages).
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
490 1 Advances in Stylistics
504 Includes bibliographical references (pages 235-252) and
index.
505 0 Acknowledgements; Chapter One: Background and
introduction; Chapter Two: 'If you could say it with words,
there'd be no reason to paint'. The verbal-visual
interrelation in cinema; Chapter Three: Methodology of the
study: the focus on the representation of conflict in
film; Chapter Four: Confrontational discourse in comedy
and the disengagement of dramatic talk; Chapter Five:
Spaghetti and American Westerns: textual conflict between
opposing masculinities; Chapter Six: The struggle for
narrative autonomy in Antonioni's When Love Fails.
505 8 Chapter Seven: Conflict of shifting identities in Mohsen
Melliti's Me, the OtherChapter Eight: Concluding remarks;
Notes; References and filmography; Index.
520 Roberta Piazza's book is a linguistic investigation of the
dialogue of Italian cinema covering a selection of films
from the 1950s to the present day. € It looks at how
speech is dealt with in studies of the cinema and tackles
the lack of engagement with dialogue in film studies. It
explores the representation of discourse in cinema -- the
way particular manifestations of verbal interaction are
reproduced in film. € Whereas 'representation' generally
refers to the language used in texts to assign meaning to
a group and its social practices, here discourse
representation more directl.
588 0 Print version record.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
650 0 Motion picture plays, Italian|0https://id.loc.gov/
authorities/subjects/sh2006020142|xHistory and criticism.
|0https://id.loc.gov/authorities/subjects/sh99001187
650 0 Motion pictures|zItaly.|0https://id.loc.gov/authorities/
subjects/sh93009046
650 0 Fine Arts.
650 7 Motion picture plays, Italian.|2fast|0https://
id.worldcat.org/fast/1741659
650 7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
1027285
651 7 Italy.|2fast|0https://id.worldcat.org/fast/1204565
655 4 Electronic books.
776 08 |iPrint version:|aPiazza, Roberta.|tDiscourse of italian
cinema and beyond.|dLondon : Continuum International
Publishing Group, ©2011|z9781441182579|w(OCoLC)699475266
830 0 Advances in stylistics.|0https://id.loc.gov/authorities/
names/no2010083073
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=350260|zOnline eBook. Access restricted to
current Rider University students, faculty, and staff.
856 42 |3Instructions for reading/downloading this eBook|uhttp://
guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20160616|cEBSCO|tebscoebooksacademic|lridw
994 92|bRID
