| Description |
1 online resource (xii, 345 pages) : illustrations |
| Physical Medium |
polychrome |
| Description |
text file |
| Summary |
Examining how Hong Kong filmmakers, spectators and critics wrestled with this perturbation between the Leftist Riots (1967) and the aftermath of the Umbrella Movement (2014), this book traces how Hong Kong's extraterritoriality has been framed: in its position of being doubly occupied and doubly abandoned by contesting juridical, political, linguistic and cultural forces. Extraterritoriality scrutinises creative works in mainstream cinema, independent films, television, video artworks and documentaries - especially those by marginalised artists - actively rewriting and reconfiguring how Hong Kong cinema and media are to be defined and located |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
What is Hong Kong cinema? -- Breaking the wave -- The time it takes for time to end -- Posthistoricity -- The age of precarity |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Motion pictures -- Political aspects -- China -- Hong Kong -- History.
|
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Motion pictures -- Political aspects. |
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China -- Hong Kong. |
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History. |
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Motion pictures. |
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Motion pictures -- China -- Hong Kong -- History.
|
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Exterritoriality.
|
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Exterritoriality. |
| Genre/Form |
History.
|
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Electronic books.
|
| Other Form: |
Print version: Fan, Victor. Extraterritoriality. Edinburgh : Edinburgh University Press, 2019 1474440428 (OCoLC)1083706018 |
| ISBN |
9781474440448 (electronic book) |
|
1474440444 (electronic book) |
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9781474440424 (hardback) |
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1474440428 (hardback) |
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