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LEADER 00000cam a2200769Mi 4500 
001    ocn768082539 
003    OCoLC 
005    20170127063646.9 
006    m     o  d         
007    cr |n|---||||| 
008    111212s2011    xx      ob    001 0 eng d 
019    774293497|a816876708 
020    9781442211803 
020    1442211806 
020    1283362260 
020    9781283362269 
020    |z9781442211780|q(cloth alkaline paper) 
020    |z1442211784|q(cloth alkaline paper) 
020    |z9781442211797|q(paperback) 
020    |z1442211792|q(paperback) 
035    (OCoLC)768082539|z(OCoLC)774293497|z(OCoLC)816876708 
040    EBLCP|beng|epn|cEBLCP|dOCLCQ|dYDXCP|dIDEBK|dUX0|dOCLCO
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043    a-cc--- 
049    RIDW 
050  4 PN1993.5.C4 
072  7 APFA|2bicssc 
072  7 ART|x057000|2bisacsh 
072  7 PER|x004040|2bisacsh 
082 04 791.43095109/04|a791.4309510904 
090    PN1993.5.C4 
100 1  Pickowicz, Paul.|0https://id.loc.gov/authorities/names/
       n80031566 
245 10 China on Film :|ba Century of Exploration, Confrontation, 
       and Controversy. 
264  1 Lanham :|bRowman & Littlefield Publishers,|c2011. 
300    1 online resource (377 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  Acknowledgments; Introduction. The Sorrows and Joys of 
       Chinese Filmmaking: Political and Personal Contexts; 
       Chapter 1. Shanghai Twenties: Early Chinese Cinematic 
       Explorations of the Modern Marriage; Chapter 2. The Theme 
       of Spiritual Pollution in Chinese Films of the 1930s; 
       Chapter 3. Melodramatic Representation and the May Fourth 
       Tradition of Chinese Cinema; Chapter 4. Never-Ending 
       Controversies: The Case of Remorse in Shanghai and 
       Occupation-Era Chinese Filmmaking; Chapter 5. Victory as 
       Defeat: Postwar Visualizations of China's War of 
       Resistance. 
505 8  Chapter 6. Acting Like Revolutionaries: Shi Hui, the 
       Wenhua Studio, and Private-Sector Filmmaking, 1949-
       1952Chapter 7. Zheng Junli, Complicity, and the Cultural 
       History of Socialist China, 1949-1976; Chapter 8. The 
       Limits of Cultural Thaw: Chinese Cinema in the Early 
       1960s; Chapter 9. Popular Cinema and Political Thought in 
       Early Post-Mao China: Reflections on Official 
       Pronouncements, Film, and the Film Audience; Chapter 10. 
       On the Eve of Tiananmen: Huang Jianxin and the Notion of 
       Postsocialism. 
505 8  Chapter 11. Velvet Prisons and the Political Economy of 
       Chinese Filmmaking in the Late 1980s and Early 
       1990sChapter 12. Social and Political Dynamics of 
       Underground Filmmaking in Early Twenty-First-Century 
       China; Additional Work on Chinese Cinema by Paul G. 
       Pickowicz; Index; About the Author. 
520    .Cs95E872D0{text-align:left;text-indent:0pt;margin:0pt 0pt
       0pt 0pt}.cs5EFED22F{color:#000000;background-color:
       transparent;font-family:Times New Roman; font-size:12pt; 
       font-weight:normal; font-style:normal; }Leading scholar 
       Paul G. Pickowicz traces the dynamic history of Chinese 
       filmmaking and its stunning development decade-by-decade 
       since the 1920s. During the last one hundred years, China 
       has been embroiled in a seemingly unending series of wars,
       revolutions, and jarring social transformations. Despite 
       daunting censorship obstacles, Chinese filmmakers have 
       found ingenious ways of taking poli. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 20th century|2fast 
648  7 1900-1999|2fast 
650  0 Motion picture industry|0https://id.loc.gov/authorities/
       subjects/sh85088047|zChina|0https://id.loc.gov/authorities
       /names/n79091151-781|xHistory|y20th century.|0https://
       id.loc.gov/authorities/subjects/sh2002006165 
650  0 Motion pictures|0https://id.loc.gov/authorities/subjects/
       sh85088084|xPolitical aspects|0https://id.loc.gov/
       authorities/subjects/sh00005651|zChina|0https://id.loc.gov
       /authorities/names/n79091151-781|xHistory|y20th century.
       |0https://id.loc.gov/authorities/subjects/sh2002006165 
650  0 Motion pictures|xSocial aspects|0https://id.loc.gov/
       authorities/subjects/sh85088108|zChina|0https://id.loc.gov
       /authorities/names/n79091151-781|xHistory|y20th century.
       |0https://id.loc.gov/authorities/subjects/sh2002006165 
650  7 Motion picture industry.|2fast|0https://id.worldcat.org/
       fast/1027150 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Motion pictures|xPolitical aspects.|2fast|0https://
       id.worldcat.org/fast/1027353 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
650  7 Motion pictures|xSocial aspects.|2fast|0https://
       id.worldcat.org/fast/1027384 
651  0 China|xIn motion pictures.|0https://id.loc.gov/authorities
       /subjects/sh85024205 
651  7 China.|2fast|0https://id.worldcat.org/fast/1206073 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aPickowicz, Paul.|tChina on Film : A 
       Century of Exploration, Confrontation, and Controversy.
       |dLanham : Rowman & Littlefield Publishers, ©2011
       |z9781442211780 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=413488|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20170505|cEBSCO|tebscoebooksacademic new|lridw 
994    92|bRID