Frontmatter -- Preface -- Contents -- Acknowledgments -- A Shell-Shocked Face: Prologue -- 1. Repair Work on the Sense of Commonality -- 2. The Poetology of Genre Films -- 3. The Emergence of the War Film Genre: A Construction of its Poetological Origins -- 4. Genre and History -- Genre and Sense of Commonality: An Epilogue -- Bibliography -- Name index -- Film index -- Subject index
Summary
Based on the premise that a society's sense of commonality depends upon media practices, this study examines how Hollywood responded to the crisis of democracy during the Second World War by creating a new genre - the war film. Developing an affective theory of genre cinema, the study's focus on the sense of commonality offers a new characterization of the relationship between politics and poetics. It shows how the diverse ramifications of genre poetics can be explored as a network of experiental modalities that make history graspable as a continuous process of delineating the limits of community.
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