Here are entered works on the portrayal of African Americans in motion pictures. Works on all aspects of African American involvement in motion pictures are entered under African Americans in the motion picture industry. Works on specific aspects of African American involvement are entered under the particular subject, e.g. African American motion picture actors and actresses.
Here are entered works on the depiction of animals in motion pictures. Works on the animals that perform in motion pictures are entered under Animals as actors.
Here are entered works on films that create the illusion of movement in drawings, clay, inanimate objects, or the like, through an animation technique. Works on the technical aspects of making animated films, television programs, or videos are entered under Animation (Cinematography).
This heading is used as a genre/form heading for films that create the illusion of movement in drawings, clay, inanimate objects, or the like, through an animation technique.
Feature-length films made up of various episodes or stories that are usually connected by a theme, event, location or original author and often have a wrap-around tale. For films that are composed of pre-existing published or unpublished films, or portions thereof, see Compilation films.
Here are entered works on apocalyptic themes in motion pictures that are not themselves apocalyptic films. Works on films set in a world or civilization after a catastrophic event (e.g., nuclear war, an alien invasion), sometimes also including the period immediately preceding the event, are entered under Apocalyptic films.
Here are entered works on films set in a world or civilization after a catastrophic event (e.g., nuclear war, an alien invasion), sometimes also including the period immediately preceding the event. Works on apocalyptic themes in motion pictures that are not themselves apocalyptic films are entered under Apocalypse in motion pictures. Works on films set in an uncertain future, in a society ruled by an ineffectual, corrupt, or oppressive regime or by aliens, robots, etc., are entered under Dystopian films.
Here are entered works on the portrayal of Asian Americans in motion pictures. Works on all aspects of Asian American involvement in motion pictures are entered under Asian Americans in the motion picture industry. Works on specific aspects of Asian American involvement are entered under the particular subject, e.g. Asian American motion picture producers and directors.
