| Description |
xi, 310 pages ; 25 cm. |
| Series |
Oxford studies in music theory
|
|
Oxford studies in music theory.
|
| Bibliography |
Includes bibliographical references (pages 277-297) and index. |
| Summary |
A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities. |
| Subject |
Music theory.
|
|
Music theory. |
|
Music audiences.
|
|
Music audiences. |
|
Phenomenology and music.
|
|
Phenomenology and music. |
| ISBN |
9780190080204 hardcover |
|
0190080205 hardcover |
|
