| Description |
1 online resource. |
|
text file |
| Series |
Fine Arts, Music and Literature
|
|
Fine arts, music and literature.
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Copyright and the music marketplace / Office of the General Counsel, U.S. Copyright Office -- Testimony of Lee Thomas Miller, President, Nashville Songwriters Association International : hearing on "Music licensing under Title 17 part one" -- Statement of Neil Portnow, President and CEO, The Recording Academy : hearing on "Music licensing under Title 17 part one" -- Testimony of David M. Israelite, President and Chief Executive Officer, National Music Publishers' Association : hearing on "Music licensing under Title 17 part one" -- Statement of Michael O'Neill, Chief Executive Officer, BMI : hearing on "Music licensing under Title 17 part one" -- Testimony of Rosanne Cash, singer, songwriter, on behalf of the American Music Association : hearing on "Music licensing under Title 17 part two" -- Statement of Cary Sherman, Chairman and CEO, Recording Industry Association of America : hearing on "Music licensing under Title 17 part two" -- Statement of Charles M. Warfield, Jr., Senior Advisor, YMF Media, LLC : hearing on "Music licensing under Title 17 part two" -- Statement of Paul Williams, President and Chairman of the Board, American Society of Composers, Authors and Publishers (ASCAP) : hearing on "Music licensing under Title 17 part two" -- Testimony of Chris Harrison, Vice President, Business Affairs, Pandora Media Inc. : hearing on "Music licensing under Title 17 part two." |
| Summary |
The United States has the most innovative and influential music culture in the world, but much of the legal framework for licensing of music dates back to the early part of the twentieth century, long before the digital revolution in music. Our licensing system is founded on a view that the music marketplace requires a unique level of government regulation, much of it reflected in statutory licensing provisions of the Copyright Act. The Copyright Office believes that the time is ripe to question the existing paradigm for the licensing of musical works and sound recordings and consider meaningf. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Copyright -- Music -- United States -- 21st century.
|
|
Copyright -- Music. |
|
United States. |
| Chronological Term |
21st century |
| Subject |
Musicians -- Legal status, laws, etc. -- United States.
|
|
Musicians -- Legal status, laws, etc. |
|
Copyright licenses -- United States.
|
|
Copyright licenses. |
| Chronological Term |
2000-2099 |
| Genre/Form |
Electronic books.
|
| Added Author |
Turner, Keith B., editor.
|
| Other Form: |
Print version: Copyright and the music marketplace New York : Nova Publishers, [2015] 9781634828697 (DLC) 2016560474 |
| ISBN |
9781634828697 hardback |
|
1634828690 hardback |
|
9781634828703 electronic book |
|
1634828704 |
|
