LEADER 00000cam a2200805Ii 4500 
001    ocn859336143 
003    OCoLC 
005    20220408043943.0 
006    m     o  d         
007    cr cnu---unuuu 
008    131003s2012    enka    ob    000 0 eng d 
016 7  016072735|2Uk 
019    868027370|a880593799 
020    9781137023452|q(electronic book) 
020    1137023457|q(electronic book) 
020    9781137023445|q(hardback) 
020    1137023449|q(hardback) 
035    (OCoLC)859336143|z(OCoLC)868027370|z(OCoLC)880593799 
037    575945|bPalgrave Macmillan|nhttp://www.palgraveconnect.com
040    UKPGM|beng|erda|epn|cUKPGM|dOCLCO|dN$T|dYDXCP|dCUS|dOCLCO
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       |dGW5XE|dOCLCQ|dMERUC|dOCLCA|dOCLCQ|dOL$|dOCL|dOCLCQ|dOCL 
043    e-ur--- 
049    RIDW 
050  4 ML1737.4 
072  7 MUS|x042000|2bisacsh 
072  7 MUS|x052000|2bisacsh 
072  7 MUS|x037110|2bisacsh 
082 04 782.1094709034|223 
090    ML1737.4 
100 1  Fishzon, Anna,|0https://id.loc.gov/authorities/names/
       no2014003274|eauthor. 
245 10 Fandom, authenticity, and opera :|bmad acts and letter 
       scenes in fin-de-siècle Russia /|cby Anna Fishzon. 
264  1 Basingstoke :|bPalgrave Macmillan,|c2012. 
300    1 online resource (xvii, 273 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Palgrave studies in cultural and intellectual history 
504    Includes bibliographical references (pages 241-260). 
505 0  1. Entrepreneurs and the Public Mission of Russian Private
       Opera -- 2. Russia's New Celebrities: Off-stage Narrative 
       and Performance -- 3. Deviant Audiences and the 
       Feminization of Fandom -- 4. Authenticity in the Age of 
       Mechanical Reproduction, or, How the Gramophone Made 
       Everyday Life Operatic -- 5. Fan Letters, Melodrama, and 
       the Meaning of Love -- Epilogue. 
520    In Russia at the turn of the twentieth century, printed 
       literature and performances - from celebrity narratives 
       and opera fandom to revolutionary acts and political 
       speeches - frequently articulated extreme emotional states
       and passionate belief. A uniquely intense approach to 
       public life and private expression - the 'melodramatic 
       imagination' - is at the center of this study. Previously,
       scholars have only indirectly addressed the everyday 
       appropriation of melodramatic aesthetics in Russia, 
       choosing to concentrate on canonical texts and producers 
       of mass culture. Collective fantasies and affects are 
       daunting objects of study, difficult to render, and almost
       impossible to prove empirically. Music and art historians,
       with some notable exceptions, have been reluctant to 
       discuss reception for similar reasons. By analyzing the 
       artifacts and practices of a commercialized opera culture,
       author Anna Fishzon provides a solution to these 
       challenges. Her focus on celebrity and fandom as features 
       of the melodramatic imagination helps illuminate Russian 
       modernity and provides the groundwork for comparative 
       studies of fin-de-sïcle European popular and high culture,
       selfhood, authenticity, and political theater. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 19th century|2fast 
648  7 1800-1899|2fast 
650  0 Opera|zRussia|0https://id.loc.gov/authorities/subjects/
       sh2010104426|y19th century.|0https://id.loc.gov/
       authorities/subjects/sh2002012475 
650  0 Opera audiences|0https://id.loc.gov/authorities/subjects/
       sh93009239|zRussia|0https://id.loc.gov/authorities/names/
       n80001203-781|xHistory|y19th century.|0https://id.loc.gov/
       authorities/subjects/sh2002006167 
650  0 Music fans|0https://id.loc.gov/authorities/subjects/
       sh89001303|zRussia.|0https://id.loc.gov/authorities/names/
       n80001203-781 
650  7 Opera.|2fast|0https://id.worldcat.org/fast/1046145 
650  7 Opera audiences.|2fast|0https://id.worldcat.org/fast/
       1046173 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Music fans.|2fast|0https://id.worldcat.org/fast/1030527 
650  7 MUSIC|xInstruction & Study|xVoice.|2bisacsh 
650  7 MUSIC|xLyrics.|2bisacsh 
650  7 MUSIC|xPrinted Music|xVocal.|2bisacsh 
650  7 Social & cultural history|zRussia|y20th century.|2bicssc 
650  7 Opera|zRussia|y20th century.|2bicssc 
650  7 History.|2eflch 
651  7 Russia.|2fast|0https://id.worldcat.org/fast/1207312 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aFishzon, Anna.|tFandom, authenticity, 
       and opera.|dBasingstoke : Palgrave Macmillan, 2012
       |z9781137023445|w(OCoLC)792747596 
830  0 Palgrave studies in cultural and intellectual history.
       |0https://id.loc.gov/authorities/names/no2010058983 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=645540|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
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994    92|bRID