Cover; Copyright page; Contents; List of Illustrations; Acknowledgments; Introduction; Part I: Places; 1 How German Is It?; 2 Music in Place; 3 Musical Itinerancy in a World of Nations; 4 Music at the Fairs; Part II: People; 5 Mendelssohn on the Road; 6 A.B. Marx's Cosmopolitan Nationalism; 7 Schumann's German Nation; 8 The Musical Worlds of Brahms's Hamburg; Part III: Public and Private; 9 What Difference Does a Nation Make?; 10 Men with Trombones; 11 Women's Wagner; 12 Hausmusik in the Third Reich; 13 To Be or Not to Be Wagnerian in Leni Riefenstahl's Films; 14 Saving Music; Notes; Index.
Summary
In The Necessity of Music , Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries.
Local Note
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