Description |
1 online resource |
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text file |
Contents |
List of illustrations; Preface; Introduction; 1 The sway of America and Europe; 2 The Lodger: A London symphony; 3 The music of montage: Blackmail; 4 Waltzes and the dance of death; 5 Shadow of a waltz; 6 Through a rear window darkly; 7 The piano: Instrument of seduction; 8 Mozart vs Wagner: Order and ambiguity; 9 Going popular; Appendices; Notes; Bibliography; Selected DVDs and VHS; Index. |
Summary |
Music is an underexplored dimension in Hitchcocks works. Taking a different view from most works on Hitchcock, David Schroeder focuses on how an expanded definition of music influences Hitchcocks conception of cinema. The structure and rhythm of his films is an important addition to the critical literature on Hitchcock and our understanding of his films and approach to filmmaking. Alfred Hitchcock liked to describe his work as a director in musical terms; for some of his films, it appears that he started with an underlying musical conception, and transformed that sense of music into visual ima. |
Bibliography |
Includes bibliographical references and index. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation.
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Hitchcock, Alfred, 1899-1980. |
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Criticism and interpretation. |
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Hitchcock, Alfred, 1899-1980 -- Knowledge and learning -- Music.
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Music. |
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Motion picture music -- History and criticism.
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Motion picture music. |
Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
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Music.
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Other Form: |
Print version: Schroeder, David. Hitchcock's Ear : Music and the Director's Art. London : Continuum International Publishing, ©2012 9781441182166 |
ISBN |
9781441108883 (electronic book) |
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1441108882 (electronic book) |
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1441114580 |
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1441182160 |
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9781441114587 |
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9781441182166 |
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