LEADER 00000cam a2200505 i 4500 
001    ocn891324468 
003    OCoLC 
005    20160712115937.0 
008    140916s2015    enk      b    001 0 eng   
010      2014036836 
019    907221388 
020    9780415723275|q(hardback) 
020    0415723272|q(hardback) 
020    |z9781315857770|q(ebook) 
020    9780415723282|q(paperback) 
020    0415723280|q(paperback) 
020    |z1315857774|q(ebook) 
040    DLC|beng|erda|cDLC|dYDX|dBTCTA|dBDX|dCDX|dYDXCP|dCHVBK
       |dGBVCP|dOCLCQ|dKZF|dICW|dWCH 
042    pcc 
049    WCHA 
090    ML3790|b.C19 2015 
100 1  Cameron, Samuel,|0https://id.loc.gov/authorities/names/
       nr00000867|eauthor. 
245 10 Music in the marketplace :|ba social economics approach /
       |cSamuel Cameron. 
264  1 Abingdon, Oxon ;|aNew York :|bRoutledge,|c2015. 
300    250 pages ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 205-235) and 
       index. 
505 0  1. Introduction -- 2. Adele-o-nomics -- 3. The never 
       ending death of music -- 4. Does anyone know anything 
       about anything? -- 5. The production and supply of music -
       - 6. Consumption of music -- 7. Age -- 8. Gender -- 9. 
       Race and ethnicity -- 10. International trade -- 11. 
       Conclusion 
520    Much recent economic work on the music industry has been 
       focused on the impact of technology on demand, with 
       predictions being made of digital copyright infringement 
       leading to the demise of the industry. In fact, there have
       always been profound cyclical swings in music media sales 
       owing to the fact that music always has been, and 
       continues to be, a discretionary purchase. This 
       entertaining and accessible book offers an analysis of the
       production and consumption of music from a social 
       economics approach. Locating music within the economic 
       analysis of social behaviour, this books guides the reader
       through issues relating to production, supply, consumption
       and trends, wider considerations such as the international
       trade in music, and in particular through divisions of age,
       race and gender. Providing an engaging overview of this 
       fascinating topic, this book will be of interest and 
       relevance to students and scholars of cultural economics, 
       management, musicology, cultural studies and those with an
       interest in the music industry more generally [Publisher 
       description] 
546    English text. 
650  0 Music trade.|0https://id.loc.gov/authorities/subjects/
       sh85088944 
650  0 Music|0https://id.loc.gov/authorities/subjects/sh85088762
       |xMarketing|0https://id.loc.gov/authorities/subjects/
       sh99005342|xSocial aspects.|0https://id.loc.gov/
       authorities/subjects/sh00002758 
650  7 Music trade.|2fast|0https://id.worldcat.org/fast/1030641 
650  7 Music|xMarketing.|2fast|0https://id.worldcat.org/fast/
       1030391 
650  7 Social aspects.|2fast|0https://id.worldcat.org/fast/
       1354981 
650  7 Music.|2fast|0https://id.worldcat.org/fast/1030269 
650  7 Musikwirtschaft.|0(DE-588)4268614-3|2gnd 
901    MARCIVE 20231220 
948    |d20160930|clti|tlti-aex 
994    C0|bWCH