Description |
387 pages : illustration, facsimiles, music, plates ; 23 cm |
Bibliography |
"Bibliography and references": pages 363-367. |
Contents |
Interpretation: Applied musicology -- Ecclesiastical spirit -- A cappella style -- Le nuove musiche -- Madrigals -- Keyboard performance -- The story of the score -- The orchestra makes its debut -- Bach and Handel -- Ornamentation -- Dance types -- Affektenlehre -- The Mannheim school -- Improvisation disappears -- Background of phrasing -- Dynamics -- Performance and proporation -- Initial tempo -- Mozart and tempo rubato -- The story of the metronome -- Beethoven's piano playing -- The poetic idea -- Romanticism: An eternal feature of interpretation -- Lied performance -- Back to the manuscript -- Return to the past -- Romance and balance -- Berlioz -- Virtuosity -- Masterworks revised -- Toward the music drama -- Wagner's method -- Verdi and Italian opera -- The absolute ideal -- Fin de Siecle -- Debussy -- End and beginning -- Objective publication -- Objective pitch -- New subjectivity -- Stravinsky -- Schonberg -- A new performer -- Crucible of music -- Jazz: A return to improvisation -- Cosmopolitan trends -- Americanism: Humanity |
Subject |
Music -- Performance -- History.
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Music -- Performance. |
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History. |
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Music appreciation.
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Music appreciation. |
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Musical analysis.
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Musical analysis. |
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Style, Musical.
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Style, Musical. |
Added Title |
Art of musical interpretation |
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