| Description |
1 online resource (xiv, 248 pages) : music. |
| Physical Medium |
monochrome |
| Description |
text file |
| Series |
Musical meaning and interpretation
|
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Musical meaning and interpretation.
|
| Bibliography |
Includes bibliographical references (pages 239-244) and index. |
| Contents |
A theory of musical narrative. An introduction to narrative analysis : Chopin's prelude in G major, op. 28, no. 3 ; Perspectives and critiques ; A theory of musical narrative : conceptual considerations ; A theory of musical narrative : analytical considerations ; Narrative and topic -- Archetypal narratives and phases. Romance narratives and Micznik's degrees of narrativity ; Tragic narratives : an extended analysis of Schubert, piano sonata in B♭ major, D. 960, first movement ; Ironic narratives : subtypes and phases ; Comic narratives and discursive strategies ; Summary and conclusion. |
| Summary |
Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative, a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a diverse range of musical examples illustrating the range and applicability of the theoretical apparatus, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrativeprovides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics. |
| Access |
Use copy Restrictions unspecified MiAaHDL |
| Reproduction |
Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL |
| System Details |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
| Processing Action |
digitized 2010 HathiTrust Digital Library committed to preserve MiAaHDL |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Music -- Philosophy and aesthetics.
|
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Music -- Philosophy and aesthetics. |
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Musical analysis.
|
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Musical analysis. |
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Music -- Semiotics.
|
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Music -- Semiotics. |
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Music and literature.
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Music and literature. |
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Music theory.
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Music theory. |
| Genre/Form |
Electronic books.
|
| Spine Title |
The-o-ry of mu-si-cal nar-ra-tive |
| Other Form: |
Print version: Almén, Byron, 1968- Theory of musical narrative. Bloomington : Indiana University Press, ©2008 (DLC) 2008017198 (OCoLC)226308095 |
| ISBN |
9780253030283 |
|
0253030285 |
|
9780253352385 (cloth ; alkaline paper) |
|
025335238X (cloth ; alkaline paper) |
|
