LEADER 00000cam a2200709Ii 4500 
001    ocn920883037 
003    OCoLC 
005    20210122120038.1 
006    m     o  d         
007    cr cnu---unuuu 
008    150911s2015    enk     ob    001 0 eng d 
019    926059953|a1100670206|a1100700457|a1114142900|a1117482827
       |a1117821097|a1167741001 
020    9781316374825|q(electronic book) 
020    1316374823|q(electronic book) 
020    9781316181478 
020    1316181472 
020    9781316371824|q(e-book) 
020    1316371824 
020    9781316375822|q(e-book) 
020    131637582X 
020    |z9781107100862 
020    |z1107100860 
020    |z9781107498297|q(paperback) 
020    1107498295 
020    9781107498297 
035    (OCoLC)920883037|z(OCoLC)926059953|z(OCoLC)1100670206
       |z(OCoLC)1100700457|z(OCoLC)1114142900|z(OCoLC)1117482827
       |z(OCoLC)1117821097|z(OCoLC)1167741001 
040    N$T|beng|erda|epn|cN$T|dYDXCP|dN$T|dIDEBK|dOCLCF|dEBLCP
       |dOCLCQ|dQGJ|dINT|dOTZ|dOCLCQ|dYOU|dOCLCQ|dAU@|dUKAHL
       |dOCLCQ|dUKRCM|dUAB|dLVT 
049    RIDW 
050  4 ML35 
072  7 MUS|x006000|2bisacsh 
072  7 MUS|x033000|2bisacsh 
082 04 780.794|223 
090    ML35 
100 1  McCormick, Lisa,|d1975-|0https://id.loc.gov/authorities/
       names/n2006000652|eauthor. 
245 10 Performing civility :|binternational competitions in 
       classicla music /|cLisa McCormick, University of 
       Edinburgh. 
264  1 Cambridge :|bCambridge University Press,|c2015. 
300    1 online resource (280 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Cambridge cultural social studies 
504    Includes bibliographical references and index. 
505 00 |gMachine generated contents note:|tTheorizing performance
       and civility --|tScenes from the competition circuit --
       |tperformance perspective --|tPutting competitions in 
       sociological perspective --|g1.|trise and near demise of 
       the international music competition --|tFestivals, 
       keyboard duels and other premodern forms of musical combat
       --|tInventing the international format --|tUnresolved 
       dissonance --|g2.|tCompetitions enter the civil sphere --
       |tUnited Nations of music competitions --|tDramatizing 
       incorporation --|tVan Cliburn as civil hero --|tMusicians 
       without borders --|g3.|tNarrating the competition --
       |tcultural construction of the event --|tcultural 
       construction of competitors --|tDiscursive polytonality --
       |g4.|tpresentation of musical self --|tPerforming genius -
       -|tPlaying with tropes --|tHow to do things with music --
       |tGender and musical genius --|tinfelicitous context --
       |g5.|tProducing sound judgments --|tcritical ear --|tWhat 
       judges listen for --|telusive ideal of fairness --
       |tevaluation process --|tsources of bad faith --
       |tExplaining the decline of competitions --|tpossibility 
       of redemption --|tunlikely source of integration --|g6.
       |tVoicing opinions --|tConceptualizing the competition 
       audience --|tWhere the live audience meets the mediated 
       audience --|tTypes of musical conduct at the competition -
       -|tcompetition audience as musical public --|tListeners 
       making themselves heard. 
520 8  Although competitions in classical music have a long 
       history, the number of contests has risen dramatically 
       since the Second World War, all of them aiming to launch 
       young artists' careers. This is not the symptom of 
       marketization that it might appear to be. Despite the 
       establishment of an international governing body, 
       competitions are plagued by rumors of corruption, and even
       the most mathematically sophisticated voting system cannot
       quell accusations that the best talent is overlooked. Why 
       do musicians take part? Why do audiences care so much 
       about who wins? This is the first book to address these 
       questions. In this groundbreaking study, Lisa McCormick 
       draws from firsthand observations of contests in Europe 
       and the US, in-depth interviews with competitors, jurors 
       and directors, as well as blog data from competition 
       observers to argue that competitions have endured because 
       they are not only about music, they are also about 
       civility. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Music|xCompetitions|0https://id.loc.gov/authorities/
       subjects/sh85088781|xHistory.|0https://id.loc.gov/
       authorities/subjects/sh99005024 
650  7 Music|xCompetitions.|2fast|0https://id.worldcat.org/fast/
       1030300 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aMcCormick, Lisa.|tPerforming civility. 
       International competitions in classical music
       |z9781107100862|w(OCoLC)907631284 
830  0 Cambridge cultural social studies.|0https://id.loc.gov/
       authorities/names/nr94003459 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1048158|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20210519|cEBSCO|tEBSCOebooksAcademic 1-22-21 4032|lridw 
994    92|bRID