| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction : Composing thoughts on sound and violence -- Fragment #1 : The presence of mind to save an ear : Ali's story -- Section I : Sonic materiel -- Belliphonic sounds and indoctrinated ears : The elements of wartime audition -- Mapping zones of wartime (in)audition -- Fragment #2 : Stealth and improvisation in the desert : Jason's story -- Fragment #3 : Loudly searching in the resonant darkness : The anatomy of a nighttime house raid -- Section II : Structures of listening, sounding, and emplacement -- Auditory regimes -- Sonic campaigns -- Acoustic territories -- Fragment #4 : A fatal mishearing -- Section III : Music, mediation, and survival -- Mobile music in the military -- Fragment #5 : From "Hell's Bells" to "Silent night" : A conversation about music in the military -- Fragment #6 : Keeping the music turned down low : Shymaa's story -- A time of troubles for Iraqi music. |
| Language |
English text. |
| Subject |
Iraq War, 2003-2011 -- Music and the war.
|
|
Iraq War (2003-2011) |
|
Music -- Psychological aspects.
|
|
Music -- Psychological aspects. |
|
Iraq War, 2003-2011 -- Psychological aspects.
|
|
Psychological aspects. |
|
Music in the army.
|
|
Music in the army. |
|
Sound -- Psychological aspects.
|
|
Sound -- Psychological aspects. |
|
Music and war. |
|
Iraq. |
| Chronological Term |
2003 - 2011 |
| ISBN |
9780199361496 hardcover |
|
0199361495 hardcover |
|
9780199361519 electronic book |
|
0199361517 electronic book |
|
9780199361533 electronic book |
|
0199361533 electronic book |
|
