The affinities and medieval transposition

Pesce, Dolores, author.
Bloomington : Indiana University Press, [1987]

The Affinities and Medieval Transposition

Pesce, Dolores.
Bloomington : Indiana University Press, 1987.

Concerning the nature and propriety of tones = De natura et proprietate tonorum

Tinctoris, Johannes, -1511.
Colorado Springs : Colorado College Music Press, 1967.

Concerning the nature and propriety of tones = De natura et proprietate tonorum

Tinctoris, Johannes, -1511.
Colorado Springs : Colorado College Music Press, 1976.
2nd ed.

Der Contrapunctus im 14. [i. e. vierzehnten] und 15. Jahrhundert : Untersuchungen zum Terminus, z. L

Sachs, Klaus-Jürgen.
Wiesbaden : Steiner, 1974.

Counterpoint, composition, and musica ficta

Bent, Margaret.
New York : Routledge, 2002.

Echoes of an invisible world : Marsilio Ficino and Francesco Patrizi on cosmic order and music theor

Prins, Jacomien, author.
Leiden ; Boston : Brill, 2014.

École flamande (1450 à 1600) La mesure dans la notation proportionnelle et sa transcription moderne

Tirabassi, Antonio, 1882-1947.
Bruxelles : Maison Delvigne; New York : H.W. Gray, 1927.

Mensuration and proportion signs : origins and evolution

Berger, Anna Maria Busse.
Oxford [England] : Clarendon Press ; New York : Oxford University Press, [1993]

Music theory : problems and practices in the Middle Ages and Renaissance

Ultan, Lloyd, 1929-1998.
Minneapolis : University of Minnesota Press, [1977]

The Practica musicae of Franchinus Gafurius.

Gaffurius, Franchinus, 1451-1522.
Madison : University of Wisconsin Press, 1969.

The Renaissance reform of medieval music theory : Guido of Arezzo between myth and history

Mengozzi, Stefano.
Cambridge ; New York : Cambridge University Press, 2010.