Analytical strategies and musical interpretation : essays on nineteenth- and twentieth-century music

Cambridge ; New York : Cambridge University Press, 1996.

Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beeth

Caplin, William Earl, 1948-
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Consonance and dissonance in music

Lipps, Theodor, 1851-1914.
San Marino, CA : Everett Books, [1995]

Convention in eighteenth- and nineteenth-century music : essays in honor of Leonard G. Ratner

Stuyvesant, NY : Pendragon Press, 1992.

Harmonic function in chromatic music : a renewed dualist theory and an account of its precedents

Harrison, Daniel, 1959-
Chicago : University of Chicago Press, 1994.

Logier's comprehensive course in music, harmony, and practical composition

Logier, J. B. (Johann Bernhard), 1777-1846.
New York : C. Fischer, [1888?]
[Enl. and rev. American ed.]

Music theory in the age of Romanticism

Cambridge [England] ; New York : Cambridge University Press, 1996.

Der Palestrina-Stil als Satzideal in der Musiktheorie zwischen 1750 und 1900

Lüttig, Peter.
Tutzing : H. Schneider, 1994.

Scheme for rendering psalmody congregational, 1835; together with The sol-fa tune book, 1839

Glover, Sarah, 1786-1867.
Kilkenny, Ireland : Boethius Press, [1982]

Simon Sechter's fundamental-bass theory and its influence on the music of Anton Bruckner

Stocken, Frederick.
Lewiston, N.Y. : Edwin Mellen Press, [2009]